Archive for the ‘Art and Artists’ Category

NSS Roadmap to Space Settlement Student Art Contest

Thursday, May 2nd, 2013

NASA Moon Base Art
NASA Moon Base Credit: NASA

I enjoy judging art contests. I particularly enjoy judging space art contests. I concluded my most recent space art judging experience Monday evening. In this case it was judging the student art that had been submitted to the National Space Society’s Roadmap to Space Settlement Student Art Contest.

The goal of the contest was to get students to create art that could be used to illustrate the NSS Milestones to Space Settlement: An NSS Roadmap – a document that was created for the purpose of laying out for the public the major milestones that will likely have to be passed and the major barriers that will have to be overcome in order for humanity to achieve the NSS vision of "People living and working in thriving communities beyond the Earth and the use of the vast resources of space for the dramatic betterment of humanity." The contest was organized and managed by Lynne Zielinski, the NSS Vice President of Public Affairs (and a member of the Chicago Society for Space Studies).

Unfortunately the contest was run on a very tight time line. The contest was announced on March 25 and the submissions deadline was April 22. Typically art contests provide much more time – both to provide time to promote the contest and to allow artists time to create their submission. However NSS wanted the contest completed in advance of their annual International Space Development Conference (May 23-27).

In spite of the limited time frame the contest received over 300 submissions. Unfortunately the overwhelming majority of these submissions were rejected since they did not meet the contest’s guidelines. Eliminating these non-qualifying submissions left the judges with 14 artworks to evaluate. This was reduced to 13 when it was discovered that one of the submissions was a fraud. The artist claimed to have created his submission using Photoshop and GIMP but the artwork was actually a NASA produced image of a lunar base! I have used that NASA image to illustrate this article. You may have previously seen this image on the NASA or Space.com web sites.

Judging art can be quite challenging at times. However, a well designed set of judging criteria that includes specific elements on which to judge the art helps. For this particular art contest, judges were expected to evaluate the art based on the following elements:

  • the art features one of the milestones listed in the Roadmap to Space Settlement
  • the milestone depicted contains sufficient evidence of accuracy
  • the art is a realistic depiction
  • the art represents more factually based science than fictional science
  • the art uses accurate perspectives
  • the art provides an uplifting, positive message of our future in space
  • the art contains a high level of detail.
  • the art appears to be created in a manner that is consistent with the method described by the artist.
  • all elements of the art appear to be created by the artist

Each judge independently graded each image after which we met to confirm the grand prize winner and to ascertain how many First Prize and Honorable Mention awards would be given out. In the end it was decided to give one First Prize and one Honorable Mention award. The Grand Prize Winner was the entry Asteroid Mining Module and the First Prize Winner was INSPIRE Life – both of which topped my list point wise. An Honorable Mention was awarded to Jupiter Orbital Space Settlement.

It is likely that this contest will be held again next year and, hopefully, I will once again be asked to participate as a judge.

Reference Links

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Call for Submissions to Media-N, Journal of the New Media Caucus

Thursday, January 24th, 2013

Media N Journal

Media-N, Journal of the New Media Caucus is making an open call for submissions to the Reviews, Reports and Papers section of their Spring 2013 issue. The deadline for submission is March 15th. The Editor-in-Chief and the Editorial Board will review submissions and selected authors will be notified by March 30th.

The Reviews, Reports and Papers section of the journal offers opportunities for authors to address topics of current interest in brief, exploratory essays of 1,500 words. Note that Media-N must be the first publisher of the submitted text.

Note that it is critcal that submitters follow the Media-N publication guidelines. Essay and media format information can be found at
Guidelines for Guest Editors

For complete submission information, see
Call for submissions for Media-N, Journal of the New Media Caucus – Spring 2013.

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Judging Art for the Humans in Space Youth Art Competition

Tuesday, December 11th, 2012

Humans in Space Youth Art Competition
Humans in Space Youth Art Competition

Last evening I finished judging 97 works of space art that has been submitted to the second international Humans in Space Youth Art Competition. It was my good fortune to have served as a judge in the first contest as well. I can’t tell you how happy I am to not only see the contest back for a second year but to also see an explosion in the number of entries submitted.

Contest partners include NASA, DLR German Aerospace Center, USRA (Universities Space Research Association), Lunar and Planetary Institute, Mission X, and the International Academy of Astronautics. The theme the artwork was expected to address is How will humans use science and technology to explore space, and what mysteries will we uncover? With respect to the contest’s goals:

The international Humans in Space Youth Art Competition encourages youth to “Be Inspired, Creative and Heard.” We ask them to think about the future of human space flight and to creatively communicate their ideas, and we promise to make these ideas viewable worldwide. By including the next generation in the planning of the future, the competition aims to enhance their awareness, interest in and support for human space flight, and to allow their ideas to begin shaping the future now.

The contest accepted submissions from March 9, 2012 thru November 18, 2012 from young people of 10 to 18 years of age, split into two groups: 10–13 years and 14–18 years. Submissions were accepted in the categories of visual, literary, musical and video artwork. Along with the artwork, each artist was expected to include an Artist’s Statement of Originality. The purpose of this statement was to provide information that would help judges to understand, appreciate, and evaluate the art. The winning artwork will be woven into displays and performances designed to relay the artists messages to a world wide audience. Most exciting for contest winners is the opportunity that their winning artwork might be displayed in orbit aboard the International Space Station!

Judging the Art

Youth Space Art Contest Entries Judged
The 97 Youth Space Art Contest Entries Judged

I had elected to be a judge in the Visual Art: 2D Visual Art category for the 14-18 year old age group. A special web site had been created for judges to view and rate the art submissions. Each judge is assigned a subset of the submitted art due to the large number of submissions received. When I log in to the system I see the art that has been assigned to me to judge. The only downside to this system is that I am limited to viewing only one work of art at a time (unless I open multiple browser windows).

Visual art judges were directed to judge the art based on the following criteria:

  • Aesthetics (Shapes, colors, textures, flow, proportions, composition, etc.)
  • Skill (Are knowledge of the media or principles of art demonstrated?)
  • Inherent meaning (What is the story or statement?)
  • Creativity (Is the artwork creative and original?)
  • Fulfilled intent (Does it meet the objective to express something about How will humans use science and technology to explore space, and what mysteries will we uncover?)

Additionally judges were asked to consider the scientific accuracy of the art. For example, if your character is walking around on the Moon then they had better be wearing a space suit.

In assigning ratings, judges were expected to assign equal numbers of 4, 3, 2, and 1 star ratings. To better judge the artwork, I downloaded the hi-res version of all the art to my computer. I then used Adobe CS4 Bridge in order to both view the art side by side, rank the art, and sort the art by rank. My methodology was to start from the ends and work inward. By ends I refer to first identifying the strongest and weakest artworks. Identifying 1-star and 4-star submissions was fairly easy. Much more difficult was distinguishing between the 2 and 3 star submissions. Upon completing my initial judging I found that I had the following distribution of rankings:

-Stars- -Allowed- -Given-
4 25 10
3 24 35
2 24 38
1 24 14

My distribution made it clear that my principal course of action was to promote art from the 3 star category to the 4 star category and demote art from the 2 star category to the 1 star category. Promoting and demoting was, predictably, the most difficult part of the judging process. In the end I did achieve the distribution of stars that judges were expected to award – though it was not easy.

The second round of judging will begin later this month with the entire process scheduled for completion in January 2013 and the winners to be announced shortly thereafter.

Links

In my own view, the important achievement of Apollo was a demonstration that humanity is not forever chained to this planet, and our visions go rather further than that, and our opportunities are unlimited.
Neil Armstrong – Apollo 11 astronaut and first person to set foot on the Moon

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The Artwork of John Lennon Show and Sale

Friday, June 1st, 2012

John Lennon Art Exhibit and Sale Poster
John Lennon Art Exhibit and Sale Poster – Cropped

Today I attended The Artwork of John Lennon exhibit and sale at the Doubletree Hilton Hotel in Oak Brook IL. This was day one of a three day show and sale of the art of John Lennon. The exhibit/sale features about 100 limited edition prints of John Lennon’s drawings and sketches – as well as song-lyric sheets. With respect to Lennon’s artistic output, he created about 1,700 pieces of original artwork with the complete set housed at the Museum of Modern Art in New York.

Taking my time I went three times around as I will most likely never see such a collection again. Spread throughout the art exhibit were quotes of Lennon’s – mostly lines from songs. One I particularly liked which I did not recognize as being from a song was this: Time you enjoy wasting is not wasted. And of course the soundtrack for the show was the music of John Lennon – both as a Beatle and as a solo artist.

View of John Lennon Art Exhibit and Sale
A view of the John Lennon Art Exhibit and Sale

The Art

The most expensive group of work in the show was the four Erotics from the Bag One series of 1969: Erotic 3, 5, 6, and 8. The four Erotics featured a nude Lennon and/or Yoko Ono. Along with the art were press clippings from past seizures of the art on grounds of it being pornographic.

The most expensive framed print in the show was Embrace which had a sale price of $8,000. Frankly, this was one of the pieces that I did not care for and wouldn’t want on my wall.

One of my favorite pieces was Sherlock Lennon primarily because I am such a fan of Sherlock Holmes. In this self-portrait we have a bearded Lennon in cape and deerstalker hat looking over his shoulder at us. This framed print was listed as selling for $4,000.00.

Other works I particularly liked were Morning Coffee and Free as a Bird – both being ink sketches. Perhaps my favorite sketch was Bag One – a sumi ink sketch which according to the placard was created from one continuous brush stroke with the brush being lifted to form breaks in the line. This is Lennon minimalism at its best – a very simple curved line drawing with just enough detail for the viewer to identify the subject: that being an embrace of Yoko Ono by Lennon.

The Artwork of John Lennon exhibit and sale details

I’m very glad I took the time to attend this showing of John Lennon’s art and would encourage others to do so as well.

When: Friday June 1 Noon – 8 pm / Saturday June 2 11am – 7pm / Sunday June 3 11am – 6pm
Where: DoubleTree by Hilton – Chicago-Oak Brook, 1909 Spring Road, Oak Brook IL
Admission: Free admission, but a $2 donation is requested to benefit Gilda’s Club Chicago. The organization assists men, women and children who are diagnosed with cancer with a variety of services.

Information: For show information, call (888) 278-1969.

 

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Trickster Gallery, Schaumburg

Friday, February 3rd, 2012

Trickster Gallery, Schaumburg
Trickster Gallery, Schaumburg

Last Saturday I visited the Trickster Gallery for the first time. It’s right across the pond from the Schaumburg Library and has been for 7 years. I hit the Schaumburg Library almost every week but never took the time to visit Trickster Gallery. The space it occupies was originally a gym which was then taken over by the city of Schaumburg who then leased out the space (for a dollar a year I think) to an art gallery. They weren’t able to make a go of it and closed. The Trickster Gallery moved in and opened in 2005. Its stated purpose is to support the Arts Department of the American Indian Center of Chicago.
According to the Trickster web site:

Trickster Gallery is the only Native American owned and operated arts institution in the State of Illinois and is dedicated to providing space for first-voice arts. The Gallery features contemporary Native art (post 1960s) and augments exhibits with film screenings, featured speakers, panel discussions, school tours and educator workshops.

As a side note, my Mother’s Father’s Mother was a Cherokee from Alabama. She was born during the Civil War and my Mother remembered as a child her Grandmother telling her stories about what life was like during Reconstruction.

Trickster Gallery exterior, Schaumburg
Outside the Trickster Gallery, Schaumburg

At the time of my visit, there were three exhibits. The first consisted of a show of black and white photography by Michael Wesley.
The second exhibition was a Day of the Dead art show featuring the work of several artists. Two very large artworks were wall murals. The most impressive art in this exhibit was a large tree of skulls mural painted by Emmanuel White Eagle. The third exhibit, which occupied the entire second floor, was of framed bead work by Douglas Limón of Limón Fine Art.

The gallery also is home to a small gift shop. Admission to the gallery is free but visitors are encouraged to make a donation to support the gallery.

Trickster Gallery
190 S. Roselle Rd., 
Schaumburg, IL 60193 · 
847-301-2090
www.trickstergallery.org

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New Algorithmic Art and a Processing Tutorial

Monday, January 30th, 2012

Aftermath Digital Painting
Aftermath Digital Painting, 32 x 16 inches

All in all this has been a very good day. It started too early when my alarm went off at 6:00am. While fixing my son’s lunch, I hit upon the following limerick, a testament to having gotten too little sleep (I didn’t go to bed till after 1:00am):


My alarm goes off at six o’clock
It always comes as quite a shock
There in bed I wish to lay
But I have to rise and face the day
Gee I hope I don’t get artist’s block

Seeing my son off to school and with coffee in hand I settled in at the computer. I began by putting the finishing touches on the web pages for my series of five works of algorithmic art titled Cubic Disarray. Fortunately most of the work was done for me by a program I wrote to fill in a skeleton art gallery web page with the relevant data from a control file. This program also produces the XML entries for my sitemap.xml and newsfeed.xml files. The five works in the Cubic Disarray series are:

Cubic Disarray: Division algorithmic art
Cubic Disarray:
Division

Cubic Disarray: Bisection algorithmic art
Cubic Disarray:
Bisection

Cubic Disarray: Impending Unity algorithmic art
Cubic Disarray:
Impending Unity

Cubic Disarray: Point of Radiance algorithmic art
Cubic Disarray:
Point of Radiance

Cubic Disarray: Turbulence algorithmic art
Cubic Disarray:
Turbulence

When I decided yesterday that I was going to add these to my web site and make them available for purchase, I knew that I wanted to give credit to Georg Nees, whose work Schotter was the inspiration for my series. My idea quickly snowballed out of control. My first impulse was to just give a line of credit on each page. My next impulse was to create a web page dedicated to Schotter (German for gravel). I then decided to write a program using Processing that would recreate Schotter. Once I had the program written, it seemed only natural to turn it into a tutorial.

This morning I finished work on the tutorial and published it, along with the Cubic Disarray series to my web site. Included in the tutorial are a side by side comparison of Nees’ original Schotter and the Processing recreation. If you are a Processing user or are just curious to learn about algorithmic art, then check out my Georg Nees, Processing, and a Schotter Tutorial

In other good news I heard from an art gallery in Chicago today that is interested in my art. Hopefully we’ll be a good match for each other. Right now some of my space art is being exhibited and is available for purchase from Paper Crown Gallery located in Arlington Heights.

Lastly and best of all I completed two digital paintings today. Now one of these, titled City Lights, I started today and finished today. The other painting, titled Aftermath, I only finished today. Believe it or not I actually began this piece in April 2009 and last worked on it in April 2009. For almost three years this piece sat collecting electronic dust before I quite by accident rediscovered it earlier today. At 16 x 32 inches, Aftermath is one of my larger pieces and I have used it to illustrate this post.

So today was definitely a day without artist’s block. But who knows what tomorrow holds.

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Creating An Art Inventory

Wednesday, December 28th, 2011

Portrait of Amie Digital Painting
Portrait of Amie Digital Painting

Last week I began work on creating a comprehensive inventory of my art. My first pass is to create my inventory in a spreadsheet format using OpenOffice Calc. Subsequently I expect to migrate to a database format using MySQL.

Previously my art inventory system was quite informal and inconsistent. The only formal inventory I had was of those limited edition prints that had been either exhibited or sold. That inventory, maintained in spreadsheet format, was necessary in order to provide each print a unique inventory number for use with the Certificate of Authenticity that accompanies each of my original prints.

Separately my only other inventory consisted of the information associated with the web pages for the art that is on my web site. As of this writing there are a total of 58 of my works of art exhibited on my web site.

My initial pass at an inventory wound up with 107 items being cataloged – which does represent a substantial portion of my formal output. By formal, I mean art that is destined to be framed, exhibited, sold. Excluded from this process is:

  • the net art I’ve created to illustrate my web site and blog posts (see the Web Art Gallery for some examples of this art);
  • wallpapers I’ve created for sharing (see Free IPAD Algorithmic Art Wallpaper Gallery);
  • art I created as a part of experimenting with different styles of digital painting.

This inventory made it very obvious that I have much work to do in getting my art into my web art gallery since just 58 of the 107 artworks, 54 percent, are currently exhibited on my web site. And of course my inventory is not yet complete.

The initial fields of my art inventory spreadsheet are:

Painting Title
Artwork title
Gallery Directory
Directory name on hard drive of the gallery directory.
Artwork Directory
Directory name on hard drive of artwork directory inside gallery directory.
URL
Address of the gallery page – empty for art not on web site.
Date Created
Date artwork created.
Subcategory
Photographic, Digital Painting, 3D Render, etc.
Paper Type
Paper type to be used for original limited edition prints.
Edition Size
Maximum umber of original prints to be produced.
PPI
Pixels per inch setting for printing
Pixels Wide
Image width in pixels
Pixels High
Image height in pixels
Inches wide
(calculated PPI * Pixels Wide)
Inches high
(calculated PPI * Pixels High)
Matted Size
Used to determine frame size needed.
Square Inches
Size of art in square inches (calculated inches wide * high)
Price
Print Price
Price/in2
(calculated Price/Square Inches)
Notes
Comments as needed

Once complete, my goal is to convert the two spreadsheets – the main inventory spreadsheet and my Certificate of Authenticity spreadsheet – into two tables in a relational database so that I will be able to cross reference the two.

The Illustration

The digital painting used to illustrate this post is a very tightly cropped version of a larger painting created as a test of a digital painting program that I have been working on. Titled Portrait of Amie it is based on a photo of a friend.

Closing Quote

Composition is the artist’s method of organising a subject, of deciding what to put in and what to leave out in order to make an effective picture. – Mary Acton

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The Gift of Art for Christmas

Wednesday, December 14th, 2011

Art Institute of Chicago, circa 1910
Art Institute of Chicago, circa 1910

Christmas is almost upon us and that means gift giving. If you’re like me you probably have not done your Christmas shopping yet. Now I live near Woodfield Mall in Schaumburg but I try to stay away as the mall is overrun by hordes of shoppers from Thanksgiving to Christmas. In fact they even bus people in from out of state.

Shopping online is a great alternative to the challenge of brick and mortar shopping. I’m guessing that when most people think of shopping online they think of Amazon.com but there are some great alternatives out there. The alternatives I’m thinking of are some of our nation’s leading art museums. Many art museums have their own online stores where shoppers can purchase some rather unique gifts. So arranged alphabetically, here is a list of 13 art museums that have an online store. I’ve included the museum’s city location for those museums that don’t include that in their name.

13 Art Museums with Online Stores

So consider giving the gift of art this Christmas. And don’t forget to get yourself a present while you’re at it.

Merry Christmas, Jim

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The Art Exhibit, Art Gallery, Art Talk, and Algorithmic Art Tutorial

Friday, October 7th, 2011

Artist Mark Rothko and selected art works
Artist Mark Rothko and selected art works

It has been a busy week for me on the art front. The week began with my installation of nine of my art works at the Buehler YMCA in Palatine IL. Buehler YMCA is the second largest YMCA in Illinois with some 17,000 members. My art will be on display there through the end of the year. Art Exhibit at Buehler YMCA.

I delivered three of my space art works to the Paper Crown Gallery in Arlington Heights, IL. This soon to open gallery has a large exhibit space with a business plan that is not typical of other art galleries. Given the timing of the gallery’s opening – in the face of the threat of a double-dip recession – their novel business plan may be a recipe for success.

I attended the lecture Seeing Red: The Art and Life of Mark Rothko presented by art historian Jeff Mishur. The lecture title fragment "Red" is from the title of the Tony Award-winning play Red currently showing at the Goodman Theater. With respect to the lecture, while it provided biographical background on Rothko, the emphasis was on the development of Rothko’s signature painting style. So yes I spent the evening looking at lots of paintings of colored rectangles (see the image illustrating this post above). Frankly Rothko’s style has never appealed to my sense of aesthetics. The play Red at the Goodman Theater.

I also added a tutorial on using recursion to create algorithmic art to my web site. I used the Processing platform for the tutorial and provide the source code. This tutorial is an expanded version of a tutorial I wrote earlier this year which was published in CMD Journal. Tutorial: Recursion and Algorithmic Art Using Processing

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Contemporary Art Vanity Art Book

Sunday, August 21st, 2011

So many art books
So many art books

I recently received the following email from Julia Adison, Assistant curator, I.C.A. Publishing:

ICA Publishing is accepting submissions for the third volume of International Contemporary Artists. This publication will feature works which offer a unique sensibility and approach to art. It will be an exploring journey to painting, photography, sculpture and other media with the most talented artists all over the world creating works and experimenting with new innovating techniques.
This book will provide an in-depth look at global culture of visual arts, appealing to established and emerging artists opening out the world of visual arts to a wider audience.
All artists interested in participating should send 4-5 images of their work in jpg format and a short statement or essay, no more than 100 words by email.
The book will be published in the end of October.
Further information about the book can be found here: www.incoartists.com

I visited their web site and noted the following stipulation regarding artist inclusion in the book:

There are no participation or entry fees.
The only requirement is to buy two copies of the book.

Ah – the catch. The artists are required to buy two copies of the book. Since artists must buy the book in order to participate that makes this a vanity book. Searching, I found that the previous edition listed as being $120.00. Assuming the same price for this volume and no discount, that means a potential outlay of $240 on the part of the artist. Assuming that they get at least as many participating artists as in the last edition (287) that means the minimum revenue for the publisher will be $68,880 (287*120).

Another item I noted was that the editor for the book is listed as Eve Lemonidou and the book publisher is listed as Lemonidou Eve. In other words the editor is self-publishing the book. There is nothing wrong with self-publishing but self-published books just don’t have the same impact as book published by a recognized publishing company.

Contrast the International Contemporary Artists example with the Expose series of books published by Ballistic Publishing. Artists who are chosen to particpate receive a complimentary copy of the book. In this case, the artist actually comes out ahead in that they get a free book! What this tells you is that Ballistic Publishers is relying on their ability to market and sell the book to the general public in order to cover their costs – including the costs of providing free copies of the book to all participating artists. What this also indicates is that the audience for the International Contemporary Artists book will most likely be limited to the artists who buy the book and the folks whom they show the book to. Another data point for an interested artist to consider is that at the time of this writing the Amazon Bestsellers Rank for the second International Contemporary Artists book is 1,707,199 while the rank for EXPOSE 9 is 230,082 and 279,003 for EXPOSE 8.

My advice for artists who are considering participating in this project is this: take your money and publish your own book! There are many print on demand publishers and it’s a pretty competitive market space. For more information on print on demand photo book publishers, see my review of the article “Closeup: Photo Books On Demand in my blog post American Photo Issue Review. Here is an example from one publisher I checked: for an 8.5 x 11 paperback book that is 20 pages long I could buy 16 copies of my book for slightly less than I would pay for two copies of the International Contemporary Artists book – again assuming a $120 per book cost to the artist. And if you want to you can sell your book on Amazon by using Amazon’s CreateSpace service.

So I have decided not to particpate in the offer to be in the International Contemporary Artists book. Of course other artists may think differently and decide that paying to be included in the book is worth the expense.

Note: there is additional commentary about this at MESART Scam and Hoax List.

The Illustration

The illustration is of bookshelves translated, transformed, and slightly distorted using Photoshop. Nothing serious – just playing around.

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