Archive for the ‘Art and Artists’ Category

Trickster Gallery, Schaumburg

Friday, February 3rd, 2012

Trickster Gallery, Schaumburg
Trickster Gallery, Schaumburg

Last Saturday I visited the Trickster Gallery for the first time. It’s right across the pond from the Schaumburg Library and has been for 7 years. I hit the Schaumburg Library almost every week but never took the time to visit Trickster Gallery. The space it occupies was originally a gym which was then taken over by the city of Schaumburg who then leased out the space (for a dollar a year I think) to an art gallery. They weren’t able to make a go of it and closed. The Trickster Gallery moved in and opened in 2005. Its stated purpose is to support the Arts Department of the American Indian Center of Chicago.
According to the Trickster web site:

Trickster Gallery is the only Native American owned and operated arts institution in the State of Illinois and is dedicated to providing space for first-voice arts. The Gallery features contemporary Native art (post 1960s) and augments exhibits with film screenings, featured speakers, panel discussions, school tours and educator workshops.

As a side note, my Mother’s Father’s Mother was a Cherokee from Alabama. She was born during the Civil War and my Mother remembered as a child her Grandmother telling her stories about what life was like during Reconstruction.

Trickster Gallery exterior, Schaumburg
Outside the Trickster Gallery, Schaumburg

At the time of my visit, there were three exhibits. The first consisted of a show of black and white photography by Michael Wesley.
The second exhibition was a Day of the Dead art show featuring the work of several artists. Two very large artworks were wall murals. The most impressive art in this exhibit was a large tree of skulls mural painted by Emmanuel White Eagle. The third exhibit, which occupied the entire second floor, was of framed bead work by Douglas Limón of Limón Fine Art.

The gallery also is home to a small gift shop. Admission to the gallery is free but visitors are encouraged to make a donation to support the gallery.

Trickster Gallery
190 S. Roselle Rd.,
Schaumburg, IL 60193 ·
847-301-2090
www.trickstergallery.org

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New Algorithmic Art and a Processing Tutorial

Monday, January 30th, 2012

Aftermath Digital Painting
Aftermath Digital Painting, 32 x 16 inches

All in all this has been a very good day. It started too early when my alarm went off at 6:00am. While fixing my son’s lunch, I hit upon the following limerick, a testament to having gotten too little sleep (I didn’t go to bed till after 1:00am):


My alarm goes off at six o’clock
It always comes as quite a shock
There in bed I wish to lay
But I have to rise and face the day
Gee I hope I don’t get artist’s block

Seeing my son off to school and with coffee in hand I settled in at the computer. I began by putting the finishing touches on the web pages for my series of five works of algorithmic art titled Cubic Disarray. Fortunately most of the work was done for me by a program I wrote to fill in a skeleton art gallery web page with the relevant data from a control file. This program also produces the XML entries for my sitemap.xml and newsfeed.xml files. The five works in the Cubic Disarray series are:

Cubic Disarray: Division algorithmic art
Cubic Disarray:
Division

Cubic Disarray: Bisection algorithmic art
Cubic Disarray:
Bisection

Cubic Disarray: Impending Unity algorithmic art
Cubic Disarray:
Impending Unity

Cubic Disarray: Point of Radiance algorithmic art
Cubic Disarray:
Point of Radiance

Cubic Disarray: Turbulence algorithmic art
Cubic Disarray:
Turbulence

When I decided yesterday that I was going to add these to my web site and make them available for purchase, I knew that I wanted to give credit to Georg Nees, whose work Schotter was the inspiration for my series. My idea quickly snowballed out of control. My first impulse was to just give a line of credit on each page. My next impulse was to create a web page dedicated to Schotter (German for gravel). I then decided to write a program using Processing that would recreate Schotter. Once I had the program written, it seemed only natural to turn it into a tutorial.

This morning I finished work on the tutorial and published it, along with the Cubic Disarray series to my web site. Included in the tutorial are a side by side comparison of Nees’ original Schotter and the Processing recreation. If you are a Processing user or are just curious to learn about algorithmic art, then check out my Georg Nees, Processing, and a Schotter Tutorial

In other good news I heard from an art gallery in Chicago today that is interested in my art. Hopefully we’ll be a good match for each other. Right now some of my space art is being exhibited and is available for purchase from Paper Crown Gallery located in Arlington Heights.

Lastly and best of all I completed two digital paintings today. Now one of these, titled City Lights, I started today and finished today. The other painting, titled Aftermath, I only finished today. Believe it or not I actually began this piece in April 2009 and last worked on it in April 2009. For almost three years this piece sat collecting electronic dust before I quite by accident rediscovered it earlier today. At 16 x 32 inches, Aftermath is one of my larger pieces and I have used it to illustrate this post.

So today was definitely a day without artist’s block. But who knows what tomorrow holds.

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Creating An Art Inventory

Wednesday, December 28th, 2011

Portrait of Amie Digital Painting
Portrait of Amie Digital Painting

Last week I began work on creating a comprehensive inventory of my art. My first pass is to create my inventory in a spreadsheet format using OpenOffice Calc. Subsequently I expect to migrate to a database format using MySQL.

Previously my art inventory system was quite informal and inconsistent. The only formal inventory I had was of those limited edition prints that had been either exhibited or sold. That inventory, maintained in spreadsheet format, was necessary in order to provide each print a unique inventory number for use with the Certificate of Authenticity that accompanies each of my original prints.

Separately my only other inventory consisted of the information associated with the web pages for the art that is on my web site. As of this writing there are a total of 58 of my works of art exhibited on my web site.

My initial pass at an inventory wound up with 107 items being cataloged - which does represent a substantial portion of my formal output. By formal, I mean art that is destined to be framed, exhibited, sold. Excluded from this process is:

  • the net art I’ve created to illustrate my web site and blog posts (see the Web Art Gallery for some examples of this art);
  • wallpapers I’ve created for sharing (see Free IPAD Algorithmic Art Wallpaper Gallery);
  • art I created as a part of experimenting with different styles of digital painting.

This inventory made it very obvious that I have much work to do in getting my art into my web art gallery since just 58 of the 107 artworks, 54 percent, are currently exhibited on my web site. And of course my inventory is not yet complete.

The initial fields of my art inventory spreadsheet are:

Painting Title
Artwork title
Gallery Directory
Directory name on hard drive of the gallery directory.
Artwork Directory
Directory name on hard drive of artwork directory inside gallery directory.
URL
Address of the gallery page - empty for art not on web site.
Date Created
Date artwork created.
Subcategory
Photographic, Digital Painting, 3D Render, etc.
Paper Type
Paper type to be used for original limited edition prints.
Edition Size
Maximum umber of original prints to be produced.
PPI
Pixels per inch setting for printing
Pixels Wide
Image width in pixels
Pixels High
Image height in pixels
Inches wide
(calculated PPI * Pixels Wide)
Inches high
(calculated PPI * Pixels High)
Matted Size
Used to determine frame size needed.
Square Inches
Size of art in square inches (calculated inches wide * high)
Price
Print Price
Price/in2
(calculated Price/Square Inches)
Notes
Comments as needed

Once complete, my goal is to convert the two spreadsheets - the main inventory spreadsheet and my Certificate of Authenticity spreadsheet - into two tables in a relational database so that I will be able to cross reference the two.

The Illustration

The digital painting used to illustrate this post is a very tightly cropped version of a larger painting created as a test of a digital painting program that I have been working on. Titled Portrait of Amie it is based on a photo of a friend.

Closing Quote

Composition is the artist’s method of organising a subject, of deciding what to put in and what to leave out in order to make an effective picture. - Mary Acton

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The Gift of Art for Christmas

Wednesday, December 14th, 2011

Art Institute of Chicago, circa 1910
Art Institute of Chicago, circa 1910

Christmas is almost upon us and that means gift giving. If you’re like me you probably have not done your Christmas shopping yet. Now I live near Woodfield Mall in Schaumburg but I try to stay away as the mall is overrun by hordes of shoppers from Thanksgiving to Christmas. In fact they even bus people in from out of state.

Shopping online is a great alternative to the challenge of brick and mortar shopping. I’m guessing that when most people think of shopping online they think of Amazon.com but there are some great alternatives out there. The alternatives I’m thinking of are some of our nation’s leading art museums. Many art museums have their own online stores where shoppers can purchase some rather unique gifts. So arranged alphabetically, here is a list of 13 art museums that have an online store. I’ve included the museum’s city location for those museums that don’t include that in their name.

13 Art Museums with Online Stores

So consider giving the gift of art this Christmas. And don’t forget to get yourself a present while you’re at it.

Merry Christmas, Jim

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The Art Exhibit, Art Gallery, Art Talk, and Algorithmic Art Tutorial

Friday, October 7th, 2011

Artist Mark Rothko and selected art works
Artist Mark Rothko and selected art works

It has been a busy week for me on the art front. The week began with my installation of nine of my art works at the Buehler YMCA in Palatine IL. Buehler YMCA is the second largest YMCA in Illinois with some 17,000 members. My art will be on display there through the end of the year. Art Exhibit at Buehler YMCA.

I delivered three of my space art works to the Paper Crown Gallery in Arlington Heights, IL. This soon to open gallery has a large exhibit space with a business plan that is not typical of other art galleries. Given the timing of the gallery’s opening - in the face of the threat of a double-dip recession - their novel business plan may be a recipe for success.

I attended the lecture Seeing Red: The Art and Life of Mark Rothko presented by art historian Jeff Mishur. The lecture title fragment "Red" is from the title of the Tony Award-winning play Red currently showing at the Goodman Theater. With respect to the lecture, while it provided biographical background on Rothko, the emphasis was on the development of Rothko’s signature painting style. So yes I spent the evening looking at lots of paintings of colored rectangles (see the image illustrating this post above). Frankly Rothko’s style has never appealed to my sense of aesthetics. The play Red at the Goodman Theater.

I also added a tutorial on using recursion to create algorithmic art to my web site. I used the Processing platform for the tutorial and provide the source code. This tutorial is an expanded version of a tutorial I wrote earlier this year which was published in CMD Journal. Tutorial: Recursion and Algorithmic Art Using Processing

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Contemporary Art Vanity Art Book

Sunday, August 21st, 2011

So many art books
So many art books

I recently received the following email from Julia Adison, Assistant curator, I.C.A. Publishing:

ICA Publishing is accepting submissions for the third volume of International Contemporary Artists. This publication will feature works which offer a unique sensibility and approach to art. It will be an exploring journey to painting, photography, sculpture and other media with the most talented artists all over the world creating works and experimenting with new innovating techniques.
This book will provide an in-depth look at global culture of visual arts, appealing to established and emerging artists opening out the world of visual arts to a wider audience.
All artists interested in participating should send 4-5 images of their work in jpg format and a short statement or essay, no more than 100 words by email.
The book will be published in the end of October.
Further information about the book can be found here: www.incoartists.com

I visited their web site and noted the following stipulation regarding artist inclusion in the book:

There are no participation or entry fees.
The only requirement is to buy two copies of the book.

Ah - the catch. The artists are required to buy two copies of the book. Since artists must buy the book in order to participate that makes this a vanity book. Searching, I found that the previous edition listed as being $120.00. Assuming the same price for this volume and no discount, that means a potential outlay of $240 on the part of the artist. Assuming that they get at least as many participating artists as in the last edition (287) that means the minimum revenue for the publisher will be $68,880 (287*120).

Another item I noted was that the editor for the book is listed as Eve Lemonidou and the book publisher is listed as Lemonidou Eve. In other words the editor is self-publishing the book. There is nothing wrong with self-publishing but self-published books just don’t have the same impact as book published by a recognized publishing company.

Contrast the International Contemporary Artists example with the Expose series of books published by Ballistic Publishing. Artists who are chosen to particpate receive a complimentary copy of the book. In this case, the artist actually comes out ahead in that they get a free book! What this tells you is that Ballistic Publishers is relying on their ability to market and sell the book to the general public in order to cover their costs - including the costs of providing free copies of the book to all participating artists. What this also indicates is that the audience for the International Contemporary Artists book will most likely be limited to the artists who buy the book and the folks whom they show the book to. Another data point for an interested artist to consider is that at the time of this writing the Amazon Bestsellers Rank for the second International Contemporary Artists book is 1,707,199 while the rank for EXPOSE 9 is 230,082 and 279,003 for EXPOSE 8.

My advice for artists who are considering participating in this project is this: take your money and publish your own book! There are many print on demand publishers and it’s a pretty competitive market space. For more information on print on demand photo book publishers, see my review of the article “Closeup: Photo Books On Demand in my blog post American Photo Issue Review. Here is an example from one publisher I checked: for an 8.5 x 11 paperback book that is 20 pages long I could buy 16 copies of my book for slightly less than I would pay for two copies of the International Contemporary Artists book - again assuming a $120 per book cost to the artist. And if you want to you can sell your book on Amazon by using Amazon’s CreateSpace service.

So I have decided not to particpate in the offer to be in the International Contemporary Artists book. Of course other artists may think differently and decide that paying to be included in the book is worth the expense.

Note: there is additional commentary about this at MESART Scam and Hoax List.

The Illustration

The illustration is of bookshelves translated, transformed, and slightly distorted using Photoshop. Nothing serious - just playing around.

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Art Exhibit and Web Site Updates

Monday, April 4th, 2011

Fremont Public Library in Mundelein IL
Fremont Public Library in Mundelein IL

I must say that 2011 has not been a good year for posting to my blog. Looking back, I can see that my pace has slackened significantly from what it was in the past. If you visit my Facebook page - Artsnova Art of Jim Plaxco you’ll see that my postings there have been equally erratic. There are so many things going on and just not enough time for all of them.

However, I have been continuing to make additions to the Artsnova web site. Specifically, this year I’ve added:

With respect to my art, I spent part of today setting up an art exhibit at the Fremont Public Library in Mundelein, IL. I was only able to exhibit 11 framed works of art as each of my pieces was of a decent size and I quickly filled the space available. My art will be on display in the library until July 11, 2011.

Fremont Public Library Mundelein Art Display 1st Floor
Fremont Public Library Mundelein Art Display 1st Floor

The art on the first floor is in an excellent location from a visibility perspective. Upon entering the library, the art is easily visible. Note that additional wall space is reserved for another artist who is also a member of the Northwest Cultural Council Corporate Art Gallery Program. Fortunately the display space I received is slightly larger and better positioned than the alternate space.

Fremont Public Library Mundelein Art Display 2nd Floor
Fremont Public Library Mundelein Art Display 2nd Floor

The art space on the second floor is much smaller and not so well positioned. However, as it turns out my art is located right next to the tax forms so for the next week or so it should be seen by lots of folks who, like myself, have waited to the last minute to do their taxes.

In other news, I’ll be speaking at the DucKon Science Fiction Convention in June and will also be in their art show. Because of that, I decided to not display any of my astronomical art or space art at the library.

I still don’t know if I’ll be able to attend the 2011 International Space Development Conference. While I did do a presentation about space art at last year’s conference, I did not submit any proposals this year due to not being certain of being able to attend. Missing the ISDC would be quite unfortunate as I am on the Board of Directors for the National Space Society and it is at the ISDC that one of the two annual board meetings is held.

To close, I leave you with a quote from scientist and science fiction author Arthur C. Clarke: "The astronomical artist will always be far ahead of the explorer. They can depict scenes that no human eye will ever see, because of their danger, or their remoteness in time and space."

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Grand Opening of Adobe Museum of Digital Media

Wednesday, October 6th, 2010

Adobe Museum of Digital Media
Adobe Museum of Digital Media Main Menu

Yesterday was the grand opening of the Adobe Museum of Digital Media and I was looking forward to my visit to this virtual museum of digital art. Arriving at the site - Adobe Museum of Digital Media - I found myself waiting for the museum to open in my browser. Unfortunately Adobe decided to implement their virtual museum as a completely Flash web site and that Flash file is really, really big. Even with my top of the line broadband internet connection, I had to wait some 45 seconds for the museum to open. A few browser reloads gave times in the 40-45 second range.

The museum opens with a city fly-around that focuses on the virtual museum building itself. This virtual building, a large white stylish futuristic looking building quite at odds with the surrounding cityscape, was designed by Italian Filippo Innocenti, an associate architect at Zaha Hadid Architect.

Adobe Museum of Digital Media Virtual Building
Adobe Museum of
Digital Media
Virtual Building

 

Upon completion of the fly-around the visitor is presented with three navigation options. One of these options is to see a message from the museum’s curator Tom Eccles, executive director and faculty member of the Center for Curatorial Studies at Bard College. The message is a brief introduction to the museum and the concept.

The second navigation option is to take a building tour. One of the sub-options, AMDM Cityscape allows you to replay the opening video. A second sub-option is Making the Impossible which opens a video describing the creation of the Adobe Museum of Digital Media with emphasis on the design of the virtual building that is meant to represent the museum.

The third navigation option is for the current exhibit. In terms of the actual art content, the current (and first and only) exhibit is Valley by Tony Oursler. I did not visit much of the exhibit because I did not find it to be particularly accessible from a user perspective.

There is also an option on various sub-pages to become a member by providing your email address and creating a user name. I joined as I am curious to observe how Adobe’s virtual museum evolves.

And Now - The Art Museum Review

My visit to the Adobe Museum of Digital Media was a disappointment. Not only does the initial page take an overly long time to load, but it also takes just as long for many of the sub-pages to load. In short, the site has a terrible time-to-content ratio - in fact the worst that I have ever experienced. Nor was I thrilled that the museum wound up kicking my laptop cooling fan into overdrive.

As to site navigation, at times it was not intuitively obvious where to click or where that click would take you. The flying eyeball that serves as your museum guide between the base pages was cool but only slowed things down more.

In conclusion, it looks like Adobe’s principal goal is to show off the virtual building they created to host the museum and to show off Flash’s visual capabilities. I think the public would have been better served if Adobe had concentrated on offering visitors a user friendly format in which to view digital art and to provide informative content in support of that art.

Visit the Adobe Museum of Digital Media

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Artist’s Reception And Poetry Reading in Arlington Heights IL

Saturday, July 17th, 2010

Photoshop Abstract Whirlpool digital art
Photoshop Abstract Whirlpool

The Northwest Cultural Council will host an Artist’s Reception and Poetry Reading on Saturday July 17, 2010 from 1:00 to 3:00pm. Admission is free and refreshments will be served.

The artist’s reception and poetry reading will be held at the Arlington Green Executive Centre located at 2101 S. Arlington Heights Road, Arlington Heights, IL.

I will be attending the artist’s reception and am looking forward to the opportunity to meet both those interested in my art as well as the other artists.

Unlike my last art exhibit at the Arlington Green Executive Centre Gallery, which consisted solely of abstract computer art, this time my works are space art and astronomical art.

The art exhibit is a part of the Northwest Cultural Council Corporate Gallery Exhibition Program. The Northwest Cultural Council’s Corporate Gallery Exhibits reflect a wide variety of media, artistic expression and vision of the artists. Artists with work on display in the art exhibit are:

Betty Morley Arlington Heights
Mirella Scully Mount Prospect
Min Ja Lah Schaumburg
Carl Jalowiec Palatine
Beverly Miotke Roselle
Claire Vogt Wally Barrington
Gail Baar Buffalo Grove
Joan Brinkworth Arlington Heights
Jim Plaxco Schaumburg
Irene Oleksiuk North Barrington
William Dunn Arlington Heights
Robert Cobb Rolling Meadows
Deanna Goldberg Buffalo Grove

The art currently on exhibit at the Arlington Green Executive Centre will remain on display through August 2, 2010. The art can be viewed Mondays through Fridays from 9:00 am to 5:00 pm and Saturdays from 9:00 am to 12:00 pm.

All art in the exhibit is for sale with a percentage of the sale price being a tax-deductible donation to support the activities of the Northwest Cultural Council, a not-for-profit community agency bringing visual art, music, dance, theater, poetry, and their unique “Kids Meet Art”™ program to the northwest suburbs of Chicago.

In addition to the art exhibit and the artist’s reception, there will be a poetry reading. Poets reading their work at the reception are:

Angela Narciso Torres Glenview
Kathleen Kirk Normal
Patricia McMillen Oak Park
Virginia Bell Evanston
Steven Schroeder Chicago
Maureen Flannery Evanston
Susanna Lang Chicago
Helen Degen Cohen Deerfield
Deborah Nodler Rosen Glencoe

So if you’re in the northwest suburbs and are looking for something to do, I suggest checking out the Northwest Cultural Council’s Artist’s Reception And Poetry Reading.

The Art - Photoshop Abstract Whirlpool

Titled Photoshop Abstract Whirlpool, I created this piece this morning to serve as the illustration for this post. Strange to believe that I used as a starting point a photograph I took of baggage transport carriages at O’Hare Airport. The final piece seen here was created by using a combination of Photoshop filters, layer blends, layer styles, and adjustment layers. Isn’t digital wonderful!

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The 2010 NASA Moon Art Contest

Saturday, May 22nd, 2010

NASA Art Contest

Last night I finished casting my votes as a judge in the NASA Life and Work on the Moon Art & Design Contest. The art contest is open to all high school and college students. This is the third year NASA has run this contest and this is my third year as a judge for the contest. The contest has really grown in terms of the number of submissions received. NASA has Elizabeth Ward, the art contest’s coordinator, to thank for that. Judging the first year was pretty easy in that it didn’t take much time. This year was another matter entirely. The number of submissions has grown dramatically.

The judging criteria has changed somewhat from the previous contests. In the contest’s first year, judges were expected to evaluate submissions based on the Artist Statement (worth 20 points), Artistic Elements (worth 30 points), Creativity (30 points), and Validity (20 points). Dropped from the criteria after the first year was the artistic elements component. This year the judging criteria are Artist Statement (20 points), Creativity and Artistic Expression (50 points), and Validity (20 points).

For the Artist Statement, students are to explain what inspired them, what artistic media they chose and why, and anything else they want to say about their artwork. Not surprisingly the quality of the artist statements was as varied as the quality of the submission.

The Creativity and Artistic Expression was more subjective as there are no really definable standards to guide a judge - other than their own experience. For example there was one artwork that was pretty good artistically but the imagination that went into creating the piece led me to give it more points than I would have on purely artistic grounds. Another judge may have responded quite differently.

In many cases, judging Validity was the most difficult. Validity refers to the scientific accuracy and degree of understanding of the space environment. For example in the case of a painting that consists only of a space suited astronaut walking on the surface of the Moon - does the person really understand that environment? Some artists did not reveal a lack of understanding in their art but did so in their artist statement. Others made their degree of understanding, or lack thereof, apparent in their art. For example, people without spacesuits on the Moon is kind of a dead give away.

In spite of the large number of submissions I felt compelled to vote for all submissions in the visual categories. My rationale was that voting for some but not other works would skew the final results in that the way in which I award points is likely to be different than the way in which other judges award points. The visual categories for the contest are 2D art, 3D sculpture/dioramas, Digital art, and Video. The two categories in which I did not vote were Literature and Music.

The Biggest Pleasure
What I found most rewarding about the experience was having the opportunity to review the art, think about its meaning, admire its quality, and read the artist’s words about their intent and inspiration.

The Biggest Disappointment
What I found most disheartening was that overwhelmingly the art depicted NASA facilities on the Moon. I know it is a NASA art contest but if we are going to have a large scale human presence on the Moon, then realistically it is going to take more than a government agency to make a go of it. When I go to the Moon, I want to hit Starbucks for my latte, stay at the Lunar Hilton, and dine at the local Uno’s. So while many of the students participating in the art contest showed a solid grasp of the lunar environment and what we could do on the Moon, I don’t recall any of them really featuring the role of private enterprise.

Conclusion
Given the recent decision of the Obama administration to cancel NASA’s plans for a return to the Moon, I will be most interested to see what happens with respect to the future of this art contest.

Links

To get details on the 2010 contest, visit the NASA Life and Work on the Moon Art & Design Contest site. You may also want to take a look at the Winners of the 2009 art contest

I previously wrote about the NASA art contest in the following blog posts:

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