Archive for the ‘Digital Art’ Category

From A Creative Block Comes An Artist’s Creative Angst

Tuesday, May 18th, 2010

Creative Angst
Creative Angst digital painting

So here’s a picture I did earlier this year and only now added to my web site. It is a self portrait and the idea behind this digital painting is the visualization of the mood of having a creative block.

Now there are lots of articles on the web about how to deal with a creative block. Suggestions on where to look for sources of mental inspiration. Advice on how to change your frame of mind. If you cruise over to amazon.com and search on creative block, the number one hit is a 672 page book Creative Block by Lou Harry "with 500 ideas to ignite your imagination."

Rather than fight my creative block, I decided to turn the tables on it by creating a visual representation of my creative block - hence Creative Angst. For complete details on this digital painting, see Creative Angst gallery page.

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Chicago Art Open Preview and Benefit Party

Thursday, April 22nd, 2010

Digital Painting To Be Anonymous
Digital Painting To Be Anonymous

I attended the Chicago Artist’s Coalition Chicago Art Open Preview and Benefit Tuesday night. The event was held at the River East Art Center. My reason for attending was that I responded to a Call for Entries for the Chicago Art Open so one of my pieces is in the show.

You can read more about the event and check out a few photographs that I took at Chicago Art Open Reception at River East Art Center.

You can view my art - To Be Anonymous - in the 2010 Chicago Art Open Photography Section. Unfortunately they miscategorized my art as photography and despite requests that it be moved to the "Works on Paper" category (and to correct their misspelling of the title) that has not happened yet.

The Illustration

The digital painting To Be Anonymous which is on view in the Chicago Art Open at the River East Art Center in Chicago.

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Art Show + New Art + Art Open

Wednesday, April 7th, 2010

Microscopic Metropolis
Cropped Microscopic Metropolis

Art Show

Monday I took down my art exhibit at the Advocate Good Shepard Hospital (more info here) and set up a new art exhibit at the Rolling Meadows Public Library. The new show features 11 digital paintings. The art is displayed on the library’s second floor. More information to follow.

New Art

I just added new art to my web site. Microscopic Metropolis, cropped version shown above, was inspired by the visual similarities between cities as seen from Earth orbit and the veins of a leaf as seen under a microscope and is yet another illustration of the fractal nature of the universe.

Art Open

My art submission to the juried Chicago Art Open Exhibition made it into the show. The show will be held at the River East Art Center in Chicago. The public opening of the show is Saturday, April 24th at 12 noon. To kick off the exhibition there will be a Preview, Benefit and 35th Anniversary Party on Tuesday, April 20th from 6:00 to 9:00pm. There will be hors d’oeuvres, wine, music, a silent auction, and over 300 works of art for sale. For more info and to purchase tickets for admission to the preview and benefit, see PREVIEW BENEFIT PARTY - Chicago Artists Coalition

So until next time I leave you with the words of George Bernard Shaw:

Imagination is the beginning of creation.
You imagine what you desire, you will what you imagine and at last you create what you will.

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New Art, a Poem, and Digital Art Reflections

Saturday, March 13th, 2010

Impression of Water Lily
Impression of Water Lily

I just added new art to my Nature Gallery. Impression of Water Lily is a digital semi-abstract impression of a water lily. This is what I hope to be the first in a series of evolving impressions of similar botanic pieces. My objective is to experiment with different digital techniques of representing various flower-like structures found in nature.

Regarding computer art, here’s a poem I’ve just written that in part reflects the intellectual challenges faced by the digital artist.

I really like computer art
Painting with pixels is sweet
But reading all those manuals
Is anything but a treat.

One advantage traditional artists have over their digital artist counterparts is that after all these years paintbrushes are still paintbrushes and pencils are still pencils. Given the static nature of their tools, traditional artists can focus on refining their mastery of their tools. The same is not so for the digital artist. It frequently happens that even before one can master a particular digital tool, or explore its full range of potentialities, a new version of that tool or another tool comes along to replace it and the learning process begins anew.

The tools I learned how to use when I was first exposed to digital art (computer art as it was then known) in the early 1980’s are extinct today. In fact, today I’m only using one of the tools that I learned and was using in the 1990’s. It is the one graphics software that I have used the longest. I started with Adobe Photoshop 5 circa 1999 but today’s Photoshop CS4 bears little resemblance to that first version.

I fully expect this rate of change to continue. As operating systems progress and change; as old hardware dies; as graphics software packages cease to be supported and their owning companies go out of business; and as new graphics software offerings supercede in functionality capabilities of older software; we digital artists will remain on the upgrade treadmill with our noses buried in the manual of our newest digital tool.

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Bionic Cnidaria Computer Art

Friday, March 5th, 2010

Bionic Cnidaria
Bionic Cnidaria

Had a tough time deciding whether or not Bionic Cnidaria belonged in the Computer Art Gallery or in the Nature Art Gallery. One the one hand it is meant to be a tribute of sorts to the phylum of cnidaria, which includes jellyfish. On the other hand it is an artifical creation of my own imagination. In the end I decided to add he/she/it to my Computer Art Gallery.

When visiting Chicago’s Shedd Aquarium or Brookfield Zoo, I’m always drawn to the jellyfish and the slow rhythmic fluidity of their movement. Now I need to decide whether or not to create more cnidaria.

For more about this new piece of art and to see a wallpaper sized version, check out my Bionic Cnidaria Computer Art page.

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Artist Reception and New Art

Thursday, February 25th, 2010

Modern Life
Modern Life

I’ll be leaving in a couple of hours to attend an artists’ reception at Advocate Good Shepard Hospital in Barrington. The reception is for myself and fellow artist Eric Hill. It is being sponsored by the Northwest Cultural Council. Eric and I are both artists in the Northwest Cultural Council’s Corporate Art Gallery program and currently have art on display at the hospital.

So here is a chance for you to have some free wine and cheese, talk with Eric and myself about whatever strikes your fancy, look at some art, and have a good time. The reception begins at 5:30pm and runs until 7:30pm. For complete details on the reception, see
Artist Reception at Advocate Good Shepard Hospital, Barrington

The Illustration

To illustrate this post I used a piece of art that I just added to my Technology Gallery. Titled Modern Life it is based on a digital photograph I took a year ago. For more about the piece and to view a wallpaper sized version of the same, see
Modern Life.

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New Art: Digital Rain

Saturday, February 20th, 2010

Digital Rain digital art painting
Digital Raindigital painting

Added some new art the other day to my Nature Art Gallery - a gallery I’ve ignored for far to long. Titled Digital Rain, this was simply an experiment in painting a heavy rain - so heavy as to make the sky opaque. The idea came to me while watching a rain storm last year while at Bryce Canyon National Park. From my mountain side viewpoint, a heavy rain in the distance connected the sky to earth and was sufficiently heavy so as to obscure the landscape beyond.

It’s a hazy boundary between being clever and the opposite. We frequently see people creating something that forces us to ask ourselves what on Earth were they thinking when they did that? Now I’m not sure if I’m crossing that boundary here but the thought struck me to write a limerick about my painting to accompany this post - the goal being to make this post a little more entertaining. So for better or worse here goes.

My digital painting of rain
won’t pose a challenge to your brain
As fine art it’s not much
But it does give a touch
To the scope of nature’s domain

For details about the painting, visit the Digital Rain web page.

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New Art: Emergent Hand

Thursday, February 4th, 2010

Emergent Hand
Emergent Hand

I had a tough time naming the newest addition to my Computer Art Gallery. Emergent Hand
started out as a landscape scene inspired by what I observed last year while visiting Bryce National Park in Utah. Upon completion of the piece I realized that I had created a hand. In fact, turning it sideways brought to mind that flying Blue Meanie glove from the Beatle’s movie Yellow Submarine. I found the ambiguity of the piece particularly appealing.

For more information about the art and to see a wallpaper sized version, visit the Emergent Hand web page.

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To Be Anonymous Added to Computer Art Gallery

Wednesday, February 3rd, 2010

To Be Anonymous
To Be Anonymous digital art.

To Be Anonymous is the newest addition to my Computer Art Gallery. Looking at this piece you may find it ambiguous and you’d be right. The subject is anonymity. To the outside observer, everyone in this crowd is anonymous. However, inside this digital painting there is one who, while a part of the group, is separate from it. What you the observer need to work out is this: is that individual turned away from us while the crowd face us, or is it the crowd that has their backs to us and the individual who stares out at us anonymously.

Back tomorrow with another new digital painting.

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Atmospheric Disturbance Added to Computer Art Gallery

Tuesday, February 2nd, 2010

Atmospheric Disturbance computer art
Atmospheric Disturbance computer art

I just finished adding another work of art to my web site. Atmospheric Disturbance is a piece I created earlier this month and which I’ve added to my Computer Art Gallery.

The piece came about as a consequence of considering the invisible turbulence that a particle, ball, or planet creates when moving through some intangible medium. Actually it all started with thinking about that old idea that there was an invisible ether that permeated all space and which would affect the speed of photons as they moved through that medium.

I added Atmospheric Disturbance to my Computer Art Gallery because of the tools and workflow used to create this piece. This piece was created using a combination of my own personal computer graphics software and Adobe Photoshop.

I must confess that one of the reasons that I make use of my own software dates back to a number of years ago when I would be walking through the art shows at science fiction conventions. At that time the range of graphics software used by digital artists was less diverse than today and I prided myself on being able to correctly identify the software the artist used in the creation of their artwork. Especially easy to identify were those pictures created using either Bryce or Poser.

To escape being typecast it seemed best to avoid using mainstream software - Adobe Photoshop being the principal exception. It also seemed like a good idea to diversify and to not become too dependent on any one software package - once again with Adobe Photoshop being the exception.

In the early days I would write using the C programming language. Once Java came along I began using that language. In fact I’m proud to say that I used Java to create the first (as far as I know) web accessible database of Martian feature names which included cross references to Viking images. Java has changed substantially since then. Some recent and useful books on graphics programming with Java are:

In addition to Java, I also make use of a great extension to Java called Processing. While the Java programming language can be pretty intimidating, that is not the case with Processing and I highly recommend it to anyone even remotely interested in doing their own graphics programming. To learn more visit the Processing web site.

I seem to be getting off topic here so to conclude, for a better view of Atmospheric Disturbance, you should visit the Atmospheric Disturbance web page which has a link to a wallpaper sized version of the image.

Look for another new art addition tomorrow

Jim.

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