Blog: [Blog Home] [Archives] [Search] [Contact]

Posts Tagged ‘algorithmic’

Euclidean Chaos Abstract Algorithmic Art

Monday, November 28th, 2016

Euclidean Chaos Abstract Algorithmic Art
Euclidean Chaos Abstract Algorithmic Art

Euclidean Chaos artwork on Redbubble

Euclidean Chaos artwork on CRATED

One of the projects I undertook over the Thanksgiving holidays was to create a new series of abstract algorithmic artworks. The first of these artworks that I’ve made available on Redbubble and Crated is the piece Euclidean Chaos.

The Euclidean in the title is a reference to Euclidean geometry. Euclidean geometry is a mathematical system described by the Greek mathematician Euclid in his textbook on geometry titled simply Elements, written sometime around 300 B.C. The fundamental "space" in Euclidean geometry is the plane. The chaotic aspect of Euclidean Chaos is, what is visually, a countless number of intersecting planes which constitute the artwork.

My analogy for this artwork is the cosmological concept of the multiverse or parallel universes – a system wherein there exists an infinity of non-interacting universes, each unaware of the other’s existence.

I hope you like Euclidean Chaos and will visit its pages on Redbubble and Crated (by clicking the buttons above) to see the variety of art product offerings available for this artwork.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It

Computational Synthesis Generative Algorithmic Art

Tuesday, June 28th, 2016

Computational Synthesis Generative Algorithmic Art
Computational Synthesis Generative Algorithmic Art

Computational Synthesis is a work of digital art I completed a few days ago which combines elements of algorithmic art and generative art with continual input from the artist. At the time I created this work I had no idea what to title the piece. In creating this artwork, I did have a clear idea visually and aesthetically of what I wanted to create but had given no thought to a title. After completing the piece, I turned to social media. I posted the artwork in a few places and asked for suggestions as to a title. Some suggested titles were:

  • Abstract Structure
  • Digital City
  • Discreet Time
  • Constructor Theory
  • Shifting Perspectives
  • Cityscape, Sky View
  • Aerial View Of Cyberscape
  • Monolith Metastasis
  • Fragmentation

While I did not use any of these titles, I do owe a thanks to the people who suggested them as they served as input to my thought process. Giving a title to a work of art can lead the observer in a certain direction when they are viewing the artwork. In choosing a title, I had to determine how well the title fit with what I was trying to say artistically. And therein lay my chief problem in coming up with a title.

I finally decided on Computational Synthesis as the title. Typically when one thinks of computational creativity, it is more in terms of the "machine" itself being the creator with the source of its creativity being within the framework of its design. In the case of this artwork, the computational component refers to my use of computational methods to produce a particular aesthetic style while synthesis points to the fact that I, the artist, was an equal partner in the creative process.

I created this artwork using an evolved version of a program I created and wrote about in Artistic Creativity and the Evolution of an Idea. For comparison, take a look at a previous artwork I created using an earlier version of this program:

Android Vision Generative Algorithmic Art on Redbubble

Following are links to the open edition version of Computational Synthesis on Redbubble and Crated, as well as a link to my contact page if you are interested in the availability of the limited edition print version of this artwork.

Computational Synthesis artwork on Redbubble

Computational Synthesis artwork on CRATED

Contact Jim Plaxco about Limited Edition Print availability

In closing, the question I ask myself is am I satisfied with the state of the program I used to create this artwork or do I want to continue to explore evolutionary pathways? I have no answer at the moment but ultimately that answer may well depend on whether or not I have a Eureka moment.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It

Algorithmic Abstract Art Orientation

Tuesday, October 20th, 2015

Tunnel Vision Algorithmic Abstract Art
Tunnel Vision Algorithmic Abstract Art

Over the last several days I’ve created a number of new works of algorithmic art. One of these pieces is Tunnel Vision – shown above. After creating this particular artwork I began to wonder if the orientation I had used in its creation would actually be the orientation that other people would find to be the most aesthetically appealing. To get an idea of what that answer might be I posted the image below to several art groups and asked people to identify which of the four orientations they found to be the most aesthetically pleasing.

abstract algorithmic art orientation choices
The Four Artwork Orientation Choices

While early voting had A as the overwhelming preference, by the time voting was effectively over, D had emerged as a close runner up. With respect to the two portrait oriented choices, I find it easy to see why D was clearly preferred to C as that’s the choice that I find more aesthetically pleasing. With respect to the two landscape oriented choices, option A was clearly preferred over option B. Again I agree.

Abstract Art Orientation Survey Results
Abstract Art Orientation Survey Results

Taking a step back, you can see in the survey results that there is almost a 50-50 split between people selecting a landscape orientation versus a portrait orientation. So the real challenge is choosing between options A and D with the core question being does this artwork work better as a portrait-oriented artwork or as a landscape-oriented artwork? Given the symmetry of this piece, I think the answer to this question is really one of personal taste.

Creating Tunnel Vision

In creating Tunnel Vision, I was working with a program that is a descendant of a very simple spirograph program I had written for a class I taught on using Processing to create digital spirographs and harmonographs. The image below is an example of the type of output that original spirograph program created.

Original spirograph program output
Original spirograph program output

Over a period of time I gradually enhanced and expanded that program along several separate aesthetic lines of evolution. Tunnel Vision is the result of one of those evolutionary lines.

And My Aesthetic Vote Is…

When I created Tunnel Vision, I did so with the orientation of the canvas corresponding to option A. And it was with that landscape orientation in mind that I modified various parameters to create a work that satisfied my personal aesthetic. Fortunately for me the survey results served as a confirmation of the creative choices I had made.

Open Edition Prints

Open edition prints of Tunnel Vision are available from the following art print sites:

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It

Swimming Eye Video

Monday, December 16th, 2013

Swimming Eye Video
Swimming Eye Video

I’ve just completed a video project titled Swimming Eye. This was yet another accidental project on my part as I was not planning on creating a video. Rather I was experimenting with using Processing to create an algorithmic painting program.

In experimenting with applying Perlin noise to a gridded particle field to create a large algorithmic paintbrush, I was struck my the nature of the ensuing motion. It was similar to that of a liquid surface in motion. The impression it made on me was that of a living painting: it wasn’t a static image but an image that had a life of its own.

My original idea of creating some rather unusual digital paintings using this methodology was replaced with the idea of creating a video. The image used as illustration above is representative of my original idea. It was created by stacking several individual movie frames together in Photoshop and using different layer blend modes to merge the individual images together.

Previously I wrote about using Windows Live Movie Maker to create a YouTube video (see Portrait Art Video Project). However I found that Movie Maker was not capable of turning jpeg images into a real movie. With Movie Maker, an image must remain on display for at least one second. This is fine if you want to use images to create a video slide show. However, it does not work when it comes to creating an animation. To translate my 1400 images into a movie, I wanted each image (frame) to display for 1/30th of a second (think 30 frames per second).

I tried using Avidemux but it crashed repeatedly. In searching I came across FFMPEG – a DOS command line utility. It worked. With the basic video created my next step was to come up with a soundtrack because I really didn’t want to create a silent movie.

Searching, I located a public domain song that met my needs (thanks to Free Sound Collective for making their music available for use). I used Audacity to create a sound clip of the necessary time length. I used Movie Maker to add the mp3 to the video created by FFMPEG.

I hope you enjoy the show.

Don’t forget – art is in the eye of the beholder.

See the Swimming Eye Video on YouTube

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It