Posts Tagged ‘art’

New Art

Friday, January 6th, 2012

Autumn Mountains Digital Art Painting
Autumn Mountains Digital Painting

I last wrote about my creating a database for my art (see Creating An Art Inventory). As a part of that process I made a New Year’s resolution to get all my art added to my web site. Given the large number of digital paintings that I have to add, I decided to write a C++ program to create the needed gallery pages. The program works by pulling the relevant data from a control file created from my art inventory and writing that information to a skeleton gallery page. I’m happy to say it worked like a charm.

The first two paintings I’ve added are:

Autumn Mountains digital painting
Autumn Mountains
Portrait of Amie digital painting
Portrait of Amie

Portrait of Amie (a cropped version is shown here) is the final version in a series of paintings I made while developing and testing a digital painting program that employs what I refer to as an algorithmic paintbrush. This painting was particularly challenging because not only was I developing a work of art but I was simultaneously developing the painting program to create that art.

Autumn Mountains came to me unexpectedly. I was flipping through my copy of The Atlas of Middle Earth and paused on a page with a map of Ered Luin (Blue Mountains) and Grey Havens. It brought to mind the line art of J. R. R. Tolkien used to illustrate my very old copy of The Lord of the Rings. With that style in mind, I created the foreboding, fantasy landscape Autumn Mountains. Note that a wallpaper sized version is available from the Autumn Mountains gallery page.

More art to follow so stay tuned.

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Creating An Art Inventory

Wednesday, December 28th, 2011

Portrait of Amie Digital Painting
Portrait of Amie Digital Painting

Last week I began work on creating a comprehensive inventory of my art. My first pass is to create my inventory in a spreadsheet format using OpenOffice Calc. Subsequently I expect to migrate to a database format using MySQL.

Previously my art inventory system was quite informal and inconsistent. The only formal inventory I had was of those limited edition prints that had been either exhibited or sold. That inventory, maintained in spreadsheet format, was necessary in order to provide each print a unique inventory number for use with the Certificate of Authenticity that accompanies each of my original prints.

Separately my only other inventory consisted of the information associated with the web pages for the art that is on my web site. As of this writing there are a total of 58 of my works of art exhibited on my web site.

My initial pass at an inventory wound up with 107 items being cataloged - which does represent a substantial portion of my formal output. By formal, I mean art that is destined to be framed, exhibited, sold. Excluded from this process is:

  • the net art I’ve created to illustrate my web site and blog posts (see the Web Art Gallery for some examples of this art);
  • wallpapers I’ve created for sharing (see Free IPAD Algorithmic Art Wallpaper Gallery);
  • art I created as a part of experimenting with different styles of digital painting.

This inventory made it very obvious that I have much work to do in getting my art into my web art gallery since just 58 of the 107 artworks, 54 percent, are currently exhibited on my web site. And of course my inventory is not yet complete.

The initial fields of my art inventory spreadsheet are:

Painting Title
Artwork title
Gallery Directory
Directory name on hard drive of the gallery directory.
Artwork Directory
Directory name on hard drive of artwork directory inside gallery directory.
URL
Address of the gallery page - empty for art not on web site.
Date Created
Date artwork created.
Subcategory
Photographic, Digital Painting, 3D Render, etc.
Paper Type
Paper type to be used for original limited edition prints.
Edition Size
Maximum umber of original prints to be produced.
PPI
Pixels per inch setting for printing
Pixels Wide
Image width in pixels
Pixels High
Image height in pixels
Inches wide
(calculated PPI * Pixels Wide)
Inches high
(calculated PPI * Pixels High)
Matted Size
Used to determine frame size needed.
Square Inches
Size of art in square inches (calculated inches wide * high)
Price
Print Price
Price/in2
(calculated Price/Square Inches)
Notes
Comments as needed

Once complete, my goal is to convert the two spreadsheets - the main inventory spreadsheet and my Certificate of Authenticity spreadsheet - into two tables in a relational database so that I will be able to cross reference the two.

The Illustration

The digital painting used to illustrate this post is a very tightly cropped version of a larger painting created as a test of a digital painting program that I have been working on. Titled Portrait of Amie it is based on a photo of a friend.

Closing Quote

Composition is the artist’s method of organising a subject, of deciding what to put in and what to leave out in order to make an effective picture. - Mary Acton

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The Art Exhibit, Art Gallery, Art Talk, and Algorithmic Art Tutorial

Friday, October 7th, 2011

Artist Mark Rothko and selected art works
Artist Mark Rothko and selected art works

It has been a busy week for me on the art front. The week began with my installation of nine of my art works at the Buehler YMCA in Palatine IL. Buehler YMCA is the second largest YMCA in Illinois with some 17,000 members. My art will be on display there through the end of the year. Art Exhibit at Buehler YMCA.

I delivered three of my space art works to the Paper Crown Gallery in Arlington Heights, IL. This soon to open gallery has a large exhibit space with a business plan that is not typical of other art galleries. Given the timing of the gallery’s opening - in the face of the threat of a double-dip recession - their novel business plan may be a recipe for success.

I attended the lecture Seeing Red: The Art and Life of Mark Rothko presented by art historian Jeff Mishur. The lecture title fragment "Red" is from the title of the Tony Award-winning play Red currently showing at the Goodman Theater. With respect to the lecture, while it provided biographical background on Rothko, the emphasis was on the development of Rothko’s signature painting style. So yes I spent the evening looking at lots of paintings of colored rectangles (see the image illustrating this post above). Frankly Rothko’s style has never appealed to my sense of aesthetics. The play Red at the Goodman Theater.

I also added a tutorial on using recursion to create algorithmic art to my web site. I used the Processing platform for the tutorial and provide the source code. This tutorial is an expanded version of a tutorial I wrote earlier this year which was published in CMD Journal. Tutorial: Recursion and Algorithmic Art Using Processing

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Contemporary Art Vanity Art Book

Sunday, August 21st, 2011

So many art books
So many art books

I recently received the following email from Julia Adison, Assistant curator, I.C.A. Publishing:

ICA Publishing is accepting submissions for the third volume of International Contemporary Artists. This publication will feature works which offer a unique sensibility and approach to art. It will be an exploring journey to painting, photography, sculpture and other media with the most talented artists all over the world creating works and experimenting with new innovating techniques.
This book will provide an in-depth look at global culture of visual arts, appealing to established and emerging artists opening out the world of visual arts to a wider audience.
All artists interested in participating should send 4-5 images of their work in jpg format and a short statement or essay, no more than 100 words by email.
The book will be published in the end of October.
Further information about the book can be found here: www.incoartists.com

I visited their web site and noted the following stipulation regarding artist inclusion in the book:

There are no participation or entry fees.
The only requirement is to buy two copies of the book.

Ah - the catch. The artists are required to buy two copies of the book. Since artists must buy the book in order to participate that makes this a vanity book. Searching, I found that the previous edition listed as being $120.00. Assuming the same price for this volume and no discount, that means a potential outlay of $240 on the part of the artist. Assuming that they get at least as many participating artists as in the last edition (287) that means the minimum revenue for the publisher will be $68,880 (287*120).

Another item I noted was that the editor for the book is listed as Eve Lemonidou and the book publisher is listed as Lemonidou Eve. In other words the editor is self-publishing the book. There is nothing wrong with self-publishing but self-published books just don’t have the same impact as book published by a recognized publishing company.

Contrast the International Contemporary Artists example with the Expose series of books published by Ballistic Publishing. Artists who are chosen to particpate receive a complimentary copy of the book. In this case, the artist actually comes out ahead in that they get a free book! What this tells you is that Ballistic Publishers is relying on their ability to market and sell the book to the general public in order to cover their costs - including the costs of providing free copies of the book to all participating artists. What this also indicates is that the audience for the International Contemporary Artists book will most likely be limited to the artists who buy the book and the folks whom they show the book to. Another data point for an interested artist to consider is that at the time of this writing the Amazon Bestsellers Rank for the second International Contemporary Artists book is 1,707,199 while the rank for EXPOSE 9 is 230,082 and 279,003 for EXPOSE 8.

My advice for artists who are considering participating in this project is this: take your money and publish your own book! There are many print on demand publishers and it’s a pretty competitive market space. For more information on print on demand photo book publishers, see my review of the article “Closeup: Photo Books On Demand in my blog post American Photo Issue Review. Here is an example from one publisher I checked: for an 8.5 x 11 paperback book that is 20 pages long I could buy 16 copies of my book for slightly less than I would pay for two copies of the International Contemporary Artists book - again assuming a $120 per book cost to the artist. And if you want to you can sell your book on Amazon by using Amazon’s CreateSpace service.

So I have decided not to particpate in the offer to be in the International Contemporary Artists book. Of course other artists may think differently and decide that paying to be included in the book is worth the expense.

Note: there is additional commentary about this at MESART Scam and Hoax List.

The Illustration

The illustration is of bookshelves translated, transformed, and slightly distorted using Photoshop. Nothing serious - just playing around.

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Space Art Contests Galore

Saturday, October 23rd, 2010

NASA Space Art Contest
VSP Illustration from NASA Space Art Contest

It seems that right now there are a number of art contests going on whose theme is space exploration. So if you are into art and into space - then you may want to enter one or more of these art contests.

NASA Future of Flight Art Contest

First there is the NASA Future of Flight Art Contest which is open to High School and College students around the world. This was formerly the The Moon: Back to the Future art contest in which I participated as one of the judges. The Future of Flight Art Contest includes both prizes and exhibit opportunities. Winners will be announced in June 2011.

Entries are in four categories: two-dimensional, three-dimensional, digital, literature (poetry and short stories) and video. Entries will be evaluated on creativity and artistic qualities. Entries are due no later than April 15, 2011.

Take me to The Future of Flight Art Contest

NASA and Etsy 2010 Space Craft Contest

NASA and Etsy have teamed up for the 2010 Space Craft Contest. Hurry because the deadline to enter is November 2, 2010. The purpose of this art contest is "to celebrate artistic exploration and commemorate the end of the NASA Space Shuttle Program with a creative challenge: Share an original handmade item or work of art inspired by the NASA Space Shuttle Program and space exploration at large." The top prize is a trip to an upcoming Shuttle launch as NASA’s VIP guest. There is mention that your artwork might even be flown to space aboard the Space Shuttle!

Take me to the NASA - Etsy 2010 Space Craft Art Contest

SEDS Video Ad Contest

SEDS - Students for the Exploration and Development of Space - is hosting a video contest. The challenge is to "develop an awesome ad for SEDS-USA that shows the world what our organization is all about!" A panel of judges, including William Pomerantz of The X Prize Foundation, William Watson of the Space Frontier Foundation, and Gary Barnhard of the National Space Society, will vote for the winning entry. All entries will be shared online via Youtube.

Hurry - the deadline for entering the video contest is November 2, 2010.

Take me to the SEDS Video Ad Contest

IAA Humans in Space Symposium International Youth Art Competition

The International Academy of Astronautics is sponsoring a art contest as a part of the International Academy of Astronautics Humans in Space Symposium to be held in Houston Texas in April 2011. The IAA is asking artists to address the question "What is the future of human space exploration and why is it important." Contest entry categories include music, art, video, and literature. The contest deadline is December 3, 2010 and is open to student artists who are 10-17 years old.

Take me to the IAA Humans in Space Symposium International Youth Art Competition

Okay all you artist out there - enter one or more of these art contests for your chance to win! And be sure to let interested students know about these contests as well.

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Art Show and Showing Art

Wednesday, May 5th, 2010

Lift-Off digital painting
Lift-Off digital painting

Over the weekend I visited the Block Museum of Art to take in The Brilliant Line and Engraving the Ephemeral exhibitions of engravings. A great show and one I recommend folks visit before it closes on June 20. For my review of the exhibition and details, check out The Art of Engraving at the Block Art Museum.

On Monday I visited the Arlington Green Executive Center to install some of my art. As the bulk of my abstract art is currently on display at the Rolling Meadows Public Library (which I haven’t even listed yet on my web site) and since I previously displayed only abstract art at Arlington Green Executive Center, this time I decided to go with some of my space art. I was only provided with space to hang three pieces. The works I choose to exhibit are:

  • Astronaut Glory II created in 2009
  • Lift Off created in 2009 and shown above
  • Glacial Mars - a piece I created in 2008 but have not yet added to my web site

My art will remain on display there until August 2, 2010.

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Art Magazines and My Ith Rule of Composition

Wednesday, March 24th, 2010

Vermeer Art of Painting
Cropped The Art of Painting by Johannes Vermeer

I visited a local bookstore yesterday to go through their various art magazines. Going through these magazines I am in search of visual inspiration, art news, resources on the web, and digital art techniques. In yesterday’s session, I looked through the following magazines:

  • Artforum
  • Computer Arts
  • Computer Arts Projects
  • Digital Artist
  • Digital Arts
  • Digital Studio
  • Elephant (first issue of a new art magazine).
  • Eye
  • Frieze
  • New Art International
  • Raw Vision

While reading Artforum, I came across an article More than Meets the Eye and my gaze fell upon one sentence in that article:

"The compositional rigor of Noland’s painting was, in my opinion, beyond reproach."

Compositional rigor? My first thought upon reading this sentence was that it made judging art sound like judging the figure skaters in the Olympics. The judges have their rules, check lists, and parameters in order to grade the performance of the athletes. It seems to me a rather cold way in which to consider a painting.

For those unfamiliar with the concept, composition in art is basically about how the picture is put together. It is about the individual elements of the image and how they are arranged and used with respect to one another. With this in mind, there are a number of so-called rules that the artist should follow in order to create an aesthetically pleasing painting.

Personally I like to think that I do not consciously consider the rules of composition when I either look at or create a picture. In fact with respect to my own art, I try to follow the Ith rule of composition which is a rule that I created. The Ith rule of composition says to ignore rules 1 through I-1. Following the Ith rule of composition insures that creativity is not constrained.

The Illustration

Rather than use one of my own works of art, I opted to use The Art of Painting painted by Johannes Vermeer circa 1661. Note that I have cropped the painting to fit this space. To learn more about Vermeer and his art, check out the Essential Vermeer web site.

 

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Bionic Cnidaria Computer Art

Friday, March 5th, 2010

Bionic Cnidaria
Bionic Cnidaria

Had a tough time deciding whether or not Bionic Cnidaria belonged in the Computer Art Gallery or in the Nature Art Gallery. One the one hand it is meant to be a tribute of sorts to the phylum of cnidaria, which includes jellyfish. On the other hand it is an artifical creation of my own imagination. In the end I decided to add he/she/it to my Computer Art Gallery.

When visiting Chicago’s Shedd Aquarium or Brookfield Zoo, I’m always drawn to the jellyfish and the slow rhythmic fluidity of their movement. Now I need to decide whether or not to create more cnidaria.

For more about this new piece of art and to see a wallpaper sized version, check out my Bionic Cnidaria Computer Art page.

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Artist Reception and New Art

Thursday, February 25th, 2010

Modern Life
Modern Life

I’ll be leaving in a couple of hours to attend an artists’ reception at Advocate Good Shepard Hospital in Barrington. The reception is for myself and fellow artist Eric Hill. It is being sponsored by the Northwest Cultural Council. Eric and I are both artists in the Northwest Cultural Council’s Corporate Art Gallery program and currently have art on display at the hospital.

So here is a chance for you to have some free wine and cheese, talk with Eric and myself about whatever strikes your fancy, look at some art, and have a good time. The reception begins at 5:30pm and runs until 7:30pm. For complete details on the reception, see
Artist Reception at Advocate Good Shepard Hospital, Barrington

The Illustration

To illustrate this post I used a piece of art that I just added to my Technology Gallery. Titled Modern Life it is based on a digital photograph I took a year ago. For more about the piece and to view a wallpaper sized version of the same, see
Modern Life.

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It’s All A Conspiracy

Friday, January 22nd, 2010

Conspiracy Crowd
Are You In On It?

Yes they are all in it together. In this case they is that unknown force which has worked to arrange it so that everything that I am even remotely interested in doing is happening on the same weekend in February.

It all started with the Capricon Science Fiction Convention. I will be participating in their art show, deliver two presentations on art, and be a panelist on a number of panels. Capricon is Feb 11-14.

Along comes the Northwest Cultural Council and offers a seminar on State Of The Art Giclee Reproductions. I would love to attend but can’t because it is that same Saturday.

I was then asked if I could do a presentation for the Northern Illinois Rocketry Association at their mini-conference scheduled for the same Saturday. Would have loved to both present and attend but alas no can do.

I was also asked to speak to a school group on that Friday about careers in the aerospace, astronomical, and planetary science fields. Can’t make that one either.

Most of all I would have loved to attend the College Art Association Annual Conference being held in Chicago this year! If it wasn’t for my obligations to Capricon, I would be at this conference.

There was something else as well - I forget what it was but it was the same weekend so that was dismissed.

And oh, I forgot to mention that my older son’s birthday is, yep you guessed it, that Friday!

On the bright side - nothing else has showed up on my radar screen for the other 24 days of the month.

Sadly this seems to be all to typical for me. I distinctly remember after returning from my honeymoon with my wife - we were discussing vacation plans for the next year. Out of 52 weekends I had only one weekend blocked out - that to attend the International Space Development Conference. My wife wanted us to go to California to celebrate her father’s 60th birthday. You guessed it - out of 52 possible weekends her father’s birthday was the same weekend as the conference I was obligated to attend. So for our first vacation post-honeymoon, we spent it a few thousand miles apart.

Being powerless to stop this evil conspiracy, I’ll just shrug it off and do my best to enjoy all those other free weekends.

Jim

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