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Posts Tagged ‘landscape’

Generative Artworks: Hades to Oblivion

Friday, March 24th, 2017

A Cool Day in Hell Generative Art Landscape
A Cool Day in Hell Generative Art Landscape

One of the negatives with respect to digital art is that the concept of an original does not apply as it does with traditional art. With traditional art the original is the physical media to which physical paint has been applied and there will be only one. With digital art the concept of a physical original does not apply because of the nature of digital files, which are basically infinitely reproducible. What has long been viewed as a shortcoming does offer digital artists at least one unique capability.

Because the original artwork is a digital file that can be duplicated, it is possible to use that digital canvas as the foundation for the creation of other derivative artworks. One piece I recently completed is A Cool Day in Hell which had as its original working title Dante’s Inferno.

In creating this artwork, I used one of the generative painting programs I’d designed. The program could be characterized as the Adobe Photoshop Paintbrush Engine on steroids. With one set of parameters, I can entrust the program to do the entire painting by itself. This would be similar to the filter features of Adobe Photoshop or the auto-paint feature of Corel Painter. With another set of parameters, the program functions very much like the paintbrushes in Photoshop and Painter when placed under the artist’s control. The most interesting set of parameters are those that blend program autonomy with some degree of artist interaction. It was this third option that I used to create this particular artwork.

It was only after adding this art to my portfolio on Redbubble that I decided to take that artwork and use it as the starting point for another artwork. I decided to use the same generative painting program that I had used for the original piece. This derivative artwork, titled Passage to Oblivion, does bear a resemblance to the original on which it is based.

Passage to Oblivion Generative Landscape Painting
Passage to Oblivion Generative Landscape Painting

While similar, the two have different color temperatures, textural feel, tone and contrast. Compositionally, the large, open, somewhat mountainous subterranean landscape of A Cool Day in Hell is transformed into a claustrophobic feeling of being inside an eerie underground cave.

To see either of these two artworks on Redbubble, simply click the appropriate image above and the Redbubble page will open in a new tab on your browser. It’s particularly interesting to see how these two artworks look when applied to apparel.

Passage to Oblivion on Redbubble Apparel

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New Landscape Art: Coastal Cliffs At Sunset

Thursday, July 7th, 2016

Coastal Cliffs At Sunset Landscape Abstract Art
Coastal Cliffs At Sunset Landscape Abstract Art

Coastal Cliffs At Sunset is my newest work of digital art – which I completed on the Fourth of July. Stylistically I’m not sure how I would categorize this art. Clearly it is not representational art. It’s not really abstract art though it features abstraction. It’s not cubist either though it uses elements of cubism. Nor is it surreal – although in creating this artwork I employed some surrealism.

The creation of this artwork came on the heels of my creation of Stepping Through Time using a new workflow and algorithmic processing technique I developed. In fact the process that I used to create Coastal Cliffs At Sunset is very similar to the process I used to create Stepping Through Time – which you can see on either Redbubble or CRATED.

For background information about this process and workflow, see my article Creating Stepping Through Time Abstract Art, which also discusses pixel sorting, glitch art, and databending.

Currently the open edition version of Coastal Cliffs At Sunset is available for purchase on both Redbubble and CRATED. Follow the links below to see what’s available.

Coastal Cliffs At Sunset Landscape artwork on Redbubble
Coastal Cliffs At Sunset Landscape artwork on CRATED
Contact Jim Plaxco about Limited Edition Print availability


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New Art

Friday, January 6th, 2012

Autumn Mountains Digital Art Painting
Autumn Mountains Digital Painting

I last wrote about my creating a database for my art (see Creating An Art Inventory). As a part of that process I made a New Year’s resolution to get all my art added to my web site. Given the large number of digital paintings that I have to add, I decided to write a C++ program to create the needed gallery pages. The program works by pulling the relevant data from a control file created from my art inventory and writing that information to a skeleton gallery page. I’m happy to say it worked like a charm.

The first two paintings I’ve added are:

Autumn Mountains digital painting
Autumn Mountains
Portrait of Amie digital painting
Portrait of Amie

Portrait of Amie (a cropped version is shown here) is the final version in a series of paintings I made while developing and testing a digital painting program that employs what I refer to as an algorithmic paintbrush. This painting was particularly challenging because not only was I developing a work of art but I was simultaneously developing the painting program to create that art.

Autumn Mountains came to me unexpectedly. I was flipping through my copy of The Atlas of Middle Earth and paused on a page with a map of Ered Luin (Blue Mountains) and Grey Havens. It brought to mind the line art of J. R. R. Tolkien used to illustrate my very old copy of The Lord of the Rings. With that style in mind, I created the foreboding, fantasy landscape Autumn Mountains. Note that a wallpaper sized version is available from the Autumn Mountains gallery page.

More art to follow so stay tuned.

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