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Posts Tagged ‘landscape’

Bryce Canyon National Park Antique Landscape Digital Art

Thursday, December 13th, 2018

Bryce Canyon National Park Antique Landscape Digital Art
Bryce Canyon National Park Antique Landscape Digital Art, 40 by 24 inches

Yesterday I took some time away from my Earth as Art book project to do some experimenting with image processing and converting a digital photo into digital art.
Specifically I took one of my photographs of Bryce Canyon and by using a somewhat convoluted workflow produced what I will call a digitally painted image.

I use the term digitally painted here in a different vein than I normally do. As a rule, when I describe one of my artworks as having been digitally painted it is because the image was created by my using either a mouse or Wacom Intuos tablet stylus or a combination of the two to directly apply color to a digital canvas. Quite frequently this painting involves the use of one of the generative brush engines I created so that the effects of my brush strokes are amplified.
However, in this case I’ve decided to use the phrase digitally painted to apply a label to a photograph that has been manipulated (post-processed) by a series of global image processing actions to create an image that is non-photographic.

The Image Processing Software Used

In producing Bryce Canyon National Park Antique Landscape I used three different graphics programs:

  • Rawtherapee
  • G’MIC
  • Adobe Photoshop CS4

While I am a relative newcomer to RawTherapee I hold it in high regard because of its capabilities. Rawtherapee is a wonderful and powerful alternative to Adobe Camera Raw, Adobe Lightroom, and Darktable as a processor of camera raw data. In addition to being open source, Rawtherapee is also available for those of us running Linux systems.

G’MIC (GREYC’s Magic for Image Computing) is an open source image processing framework that is available as either a command line toolset, as a GIMP plugin, as a Krita plugin, or as an online image processing package. For those who prefer not doing command line work, I recommend using the G’MIC GIMP plugin. Like Rawtherapee, G’MIC is also available for Linux. (For the curious, I am running Ubuntu 17.10, aka Artful Aardvark.)

Lastly, Adobe Photoshop CS4 is my general workhorse in terms of performing global adjustments, layering, adding watermarks, sizing for the web, and adding text to images. In fact Adobe Photoshop and Adobe Illustrator have a lot to do with why I still use Windows 7 as an OS. While my version of Photoshop is quite out of date, it contains all the tools I need and none of the distracting elements that Adobe has added to Photoshop in order to turn it into a one-size-fits-all solution.

About Bryce Canyon National Park Antique Landscape

This work started as a photograph that I took while visiting Bryce Canyon National Park in Utah. The effect I wanted to achieve was somewhere between that of an old colored etching and a color pencil drawing. I wanted the image to be bright with a low color saturation and evidence of pencil lines.

To achieve this effect I first opened the raw image in Rawtherapee and made a variety of adjustments there. These adjustments including enhancing contrast, increasing color saturation, and sharpening details. I next ran the Rawtherapee output through G’MIC a number of times, each time producing a different output file. I then combined all the files together in Photoshop and used a variety of adjustment layers and layer blends to create the final image.

If you are a person who works with digital photography and enjoys using a fair amount of post-processing work to substantially alter your original photograph, I would like to offer the following advice. If you ever want to reproduce an effect, be sure to thoroughly document every step of your workflow. Personally I fail at documenting what I do and consequently can not easily, if at all, reproduce the style of any particular workflow I previously employed.

Bryce Canyon on Redbubble

Bryce Canyon National Park products on Redbubble

I’ve made Bryce Canyon National Park Antique Landscape available on a variety of products at Redbubble.com. You can see the products, which includes wall art prints, by either clicking on the product image above or the button below.

Bryce Canyon National Park Antique Landscape artwork on Redbubble

Availability of Original Canvas Print

Open edition prints of Bryce Canyon are available as wall art on Redbubble. The largest size canvas or photographic print available from Redbubble is 30 by 18 inches. However, until a print is sold on Redbubble I can offer an original 40 by 24 inch gallery wrap canvas print or a 36 by 24 gallery wrap canvas print in a float frame which will come with a certificate of authenticity. Once someone buys the original print, all wall art options will be pulled from Redbubble and no other print copies will be produced – insuring that the purchaser has the one and only canvas print. This is a limited time offer because once a print sells on Redbubble, the offer of an original print will be rescinded. To clarify, there will be either a single original print or multiple open edition prints in a variety of sizes.

To learn more about purchasing an original canvas print, please contact me

 

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Generative Artworks: Hades to Oblivion

Friday, March 24th, 2017

A Cool Day in Hell Generative Art Landscape
A Cool Day in Hell Generative Art Landscape

One of the negatives with respect to digital art is that the concept of an original does not apply as it does with traditional art. With traditional art the original is the physical media to which physical paint has been applied and there will be only one. With digital art the concept of a physical original does not apply because of the nature of digital files, which are basically infinitely reproducible. What has long been viewed as a shortcoming does offer digital artists at least one unique capability.

Because the original artwork is a digital file that can be duplicated, it is possible to use that digital canvas as the foundation for the creation of other derivative artworks. One piece I recently completed is A Cool Day in Hell which had as its original working title Dante’s Inferno.

In creating this artwork, I used one of the generative painting programs I’d designed. The program could be characterized as the Adobe Photoshop Paintbrush Engine on steroids. With one set of parameters, I can entrust the program to do the entire painting by itself. This would be similar to the filter features of Adobe Photoshop or the auto-paint feature of Corel Painter. With another set of parameters, the program functions very much like the paintbrushes in Photoshop and Painter when placed under the artist’s control. The most interesting set of parameters are those that blend program autonomy with some degree of artist interaction. It was this third option that I used to create this particular artwork.

It was only after adding this art to my portfolio on Redbubble that I decided to take that artwork and use it as the starting point for another artwork. I decided to use the same generative painting program that I had used for the original piece. This derivative artwork, titled Passage to Oblivion, does bear a resemblance to the original on which it is based.

Passage to Oblivion Generative Landscape Painting
Passage to Oblivion Generative Landscape Painting

While similar, the two have different color temperatures, textural feel, tone and contrast. Compositionally, the large, open, somewhat mountainous subterranean landscape of A Cool Day in Hell is transformed into a claustrophobic feeling of being inside an eerie underground cave.

To see either of these two artworks on Redbubble, simply click the appropriate image above and the Redbubble page will open in a new tab on your browser. It’s particularly interesting to see how these two artworks look when applied to apparel.

Passage to Oblivion on Redbubble Apparel

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New Landscape Art: Coastal Cliffs At Sunset

Thursday, July 7th, 2016

Coastal Cliffs At Sunset Landscape Abstract Art
Coastal Cliffs At Sunset Landscape Abstract Art

Coastal Cliffs At Sunset is my newest work of digital art – which I completed on the Fourth of July. Stylistically I’m not sure how I would categorize this art. Clearly it is not representational art. It’s not really abstract art though it features abstraction. It’s not cubist either though it uses elements of cubism. Nor is it surreal – although in creating this artwork I employed some surrealism.

The creation of this artwork came on the heels of my creation of Stepping Through Time using a new workflow and algorithmic processing technique I developed. In fact the process that I used to create Coastal Cliffs At Sunset is very similar to the process I used to create Stepping Through Time – which you can see on either Redbubble or CRATED.

For background information about this process and workflow, see my article Creating Stepping Through Time Abstract Art, which also discusses pixel sorting, glitch art, and databending.

Currently the open edition version of Coastal Cliffs At Sunset is available for purchase on both Redbubble and CRATED. Follow the links below to see what’s available.

Coastal Cliffs At Sunset Landscape artwork on Redbubble
Coastal Cliffs At Sunset Landscape artwork on CRATED
Contact Jim Plaxco about Limited Edition Print availability


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New Art

Friday, January 6th, 2012

Autumn Mountains Digital Art Painting
Autumn Mountains Digital Painting

I last wrote about my creating a database for my art (see Creating An Art Inventory). As a part of that process I made a New Year’s resolution to get all my art added to my web site. Given the large number of digital paintings that I have to add, I decided to write a C++ program to create the needed gallery pages. The program works by pulling the relevant data from a control file created from my art inventory and writing that information to a skeleton gallery page. I’m happy to say it worked like a charm.

The first two paintings I’ve added are:

Autumn Mountains digital painting
Autumn Mountains
Portrait of Amie digital painting
Portrait of Amie

Portrait of Amie (a cropped version is shown here) is the final version in a series of paintings I made while developing and testing a digital painting program that employs what I refer to as an algorithmic paintbrush. This painting was particularly challenging because not only was I developing a work of art but I was simultaneously developing the painting program to create that art.

Autumn Mountains came to me unexpectedly. I was flipping through my copy of The Atlas of Middle Earth and paused on a page with a map of Ered Luin (Blue Mountains) and Grey Havens. It brought to mind the line art of J. R. R. Tolkien used to illustrate my very old copy of The Lord of the Rings. With that style in mind, I created the foreboding, fantasy landscape Autumn Mountains. Note that a wallpaper sized version is available from the Autumn Mountains gallery page.

More art to follow so stay tuned.

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