Blog: [Blog Home] [Archives] [Search] [Contact]

Posts Tagged ‘science fiction’

Windycon Science Fiction Convention 2019

Thursday, November 8th, 2018

ZZZTITLE
Northern Storm on Jupiter, a 36 by 24 inch framed original digital painting

Tomorrow I head out for the Windycon 2019 Science Fiction Convention to set up for the convention’s art show. One of the artworks that I’ll have in the art show is Northern Storm on Jupiter (shown above). I’ll also be participating in the convention’s programming. I’ll be giving two presentations, moderating a panel discussion, and serving as a panelist on two other panels.

The first of the two presentations I’ll be giving is Planet Earth as Art: The View From Space in which I use images primarily from the Landsat 8 remote sensing satellite to present Earth as a work of art. In fact doing this presentation has inspired me to undertake a book project. You can learn more about the forthcoming book at Planet Earth as Art – The Book. I also would encourage you to sign up for the associated newsletter.

The other presentation I’ll be giving is The Future of Human Space Exploration which is a rather wide ranging talk about various aspects of space development, commercial space, and space policy. I’ll be giving this presentation as both the President of the Chicago Society for Space Studies and as a National Space Society Space Ambassador.

In terms of panels, I’ll be moderating the panel Commercial Asteroid Mining whose title is self-explanatory. By coincidence a few weeks ago I found myself sharing a banquet table with a former employee of Planetary Resources – which led to an interesting discussion. The dinner was a part of the American Astronomical Society’s Division of Planetary Science meeting. For the AAS to call this a meeting is somewhat misleading since it is held in a convention center, is a week long, features a number of exhibitors, and has a lot of presentations.

I’ll also be on the Talking Tesla panel which is not about Nikola Telsa the electrical engineer nor about the electric car that is now orbiting the Sun. This panel will be talking about Elon Musk and his various activities. While I’m not qualified to talk about the man, though I did get to meet him years ago when SpaceX was a new company, I have followed the progress of SpaceX as well as Musk’s views on artificial intelligence.

Lastly there is the panel We Spy in Peace? in which we are asked to speculate on the question of "Is there life elsewhere in the universe?" and more provocatively "Do we have the right to spy on them?". Freedom of the airwaves clearly dictates that the answer must be yes. What do you think?

So if you’re reading this and find yourself at Windycon this weekend, I’d love to have you attend one of my presentations or panels. Or track me down and bend my ear a while. And don’t forget to check out the art I’ll have in the con’s art show.

I’ll leave you with this thought from film producer Ridley Scott (Blade Runner 2049, The Martian, Prometheus, etc.): "In science fiction, we’re always searching for new frontiers. We’re drawn to the unknown." And Windycon will certainly have its fair share of exploring the unknown.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It


2018 Capricon Science Fiction Convention

Wednesday, February 14th, 2018

2018 Capricon Science Fiction Convention
2018 Capricon Science Fiction Convention

This weekend (Feb 15 thru 18) is the 38th annual Capricon Science Fiction Convention, an event I always look forward to. As usual, I’ll be participating in the convention’s programming as both a panelist and as a panel moderator. Even though Capricon is a convention about science fiction and fantasy, my participation will not be all that different than my participation in last weekend’s NIRCON, the annual convention of the Northern Illinois Rocketry Association, where I gave a presentation on the future of human space exploration.

Given that at Capricon panelists "apply" to be on specific panels, the list of panels that I am on will give you a good idea of the types of topics I am most interested in and most qualified to discuss and debate.

How Soon Artificial General Intelligence

My lead-off panel will be How Soon Artificial General Intelligence, moderated by Bill Thomasson. The panel description asks us to answer the questions of how soon AGI (artificial general intelligence) might become a reality and how will that development affect human society. The question of how long it will be before true artificial intelligence becomes a reality is anyone’s guess. I do not believe that anyone can with any degree of accuracy answer this question. As to the impact on human society, that is an easier – and quite interesting – subject to tackle. With respect to workplace automation, AGI could be considered as being automation on steroids. Some will view this as a threat to their livelihood while others will be beneficiaries of this development.

Capture Deflect Destroy

Next I’ll be serving as moderator for the panel Capture Deflect Destroy in which the panel discusses the options we have in dealing with an identified asteroid or comet that is on a collision course with Earth. As moderator I’ll be expanding the panel’s discussion to include asteroid mining as a use of these objects. What I see as relevant areas for our discussion are background on the environmental impact of collisions, asteroid/comet detection and tracking programs, the classification of asteroid/comet families (orbital and compositional), and of course the technologies associated with altering the orbits of these bodies.

Pirates of the Asteroids: Who Owns ET Resources?

From talking about asteroids as a threat to civilization, I’ll be segueing to the panel Pirates of the Asteroids: Who Owns ET Resources? which may well be the most interesting as we debate the question of ownership and the making of territorial claims in outer space. Despite the panel’s title, taken from the title of a science fiction novel by Isaac Asimov, this is a very serious international space policy concern that must be addressed.

Lucky Starr and the Pirates of the Asteroids book cover art
Lucky Starr and the Pirates of the Asteroids by Isaac Asimov plot summary on Wikipedia

The framework for this discussion is The Outer Space Treaty which prohibits nations from making territorial claims in space. It was this restriction, along with the outlawing of all military activity in space, that really caused the Space Race to cool off. Our panel will also be specifically addressing the twin questions of whether or not a private company can claim ownership of space objects and, more importantly, if those companies will retain full legal ownership of any mined ET resources that they return to Earth. For a Wikipedia description of recent United States legislation that touches on this issue, see Spurring Private Aerospace Competitiveness and Entrepreneurship (SPACE) Act of 2015 in November 2015. You may also want to read about what the tiny European nation of Luxembourg has been up to at Luxembourg aims to Contribute to the Peaceful Exploration and Sustainable Utilization of Space Resources for the Benefit of Humankind. This panel is being moderated by Pat Sayre McCoy. Pat and co-panelist Jeffrey Liss are a couple of folks I always look forward to serving on panels with.

What Are Acceptable Risks in Space Exploration?

Continuing with the theme of space exploration is the panel What Are Acceptable Risks in Space Exploration? moderated by Dr Michael Unger. In this age of the emergence of commercial space exploration, this question is particularly relevant. In his book Disturbing the Universe, Freeman Dyson made an interesting observation on this subject as it pertains to cost:

“As soon as our government takes responsibility for such as project, any serious risk of failure or loss of life becomes politically unacceptable. The costs of Island One (Gerard O’Neill’s space colony proposal) become high for the same reason that the costs of the Apollo expeditions were high. The government can afford to waste money but it cannot afford to be responsible for a disaster.”

Supporting Dyson’s observation is the fact that within the realm of NASA and space projects we have multiple examples of commercially provided goods and services successfully delivered at a fraction of the cost of their NASA/government counterparts. While our panel’s description is oriented towards the risks associated explicitly with NASA programs, I hope that our scope extends beyond that to include commercial (private) alternatives.

Science Fiction Cover Art: A History to Modern Day

Having served on both computing (AI) and space exploration panels, my final Capricon panel will be on the subject of art. The panel Science Fiction Cover Art: A History to Modern Day (moderated by friend and physicist Bill Higgins) will talk about the past and future of science fiction art with a particular focus on the publishing industry. Over the years, styles of science fiction cover art have come and gone while production methods (medium) went largely unchanged. The advent of personal computers and software tools for the creation of digital art has had a dramatic impact in this arena – and this will be a central feature of our panel’s discussion.

The Rest of The Time

When not on a panel, I look forward to being an audience member for those panels that interest me. These panels tend to be either space, science, computing, or art business related. Some of the panels that have caught my eye and which I’d like to attend include:

  • The Singularity: Mechs or Shapers?
  • Photo Color Temperature: What it is, Why it Matters
  • Computing Before Computers
  • Exobiology for Dummies
  • SETI: To Lurk or To Post?
  • Marketing Your Book
  • Science For World Progress
  • I, For One, Welcome My New Robot Overlords

Clearly Capricon offers quite a diversity of programming. For complete details about all the programs being offered at Capricon, please see the Capricon Programming Guide.

Closings Thoughts From Bruce Sterling and Robert Heinlein

I’d like to leave you with a couple of closing thoughts. First, this observation from science fiction author Bruce Sterling:

Designers talk and think a lot like science fiction writers do, except in a much less melodramatic and histrionic way.

More importantly, I’d ask folks to give serious consideration to the words of science fiction great Robert Heinlein who in a speech at the 1961 World Science Fiction Convention made the following statement:

Remember this: once the human race is established on more than one planet and especially, in more than one solar system, there is no way now imaginable to kill off the human race.

 

The 38th annual Capricon Science Fiction Convention is being held at the Westin Chicago North Shore in Wheeling Illinois.

 

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It


2017 Capricon Science Fiction Convention

Thursday, February 16th, 2017

Illustration from Planet Earth As Art When Seen From Space presentation
Illustration from Planet Earth As Art When Seen From Space presentation

I’ll be spending the next few days at the Capricon Science Fiction Convention at the Westin in Wheeling IL and once again I’ll be participating in the convention’s programming. The highlight for me will be my presentation on Saturday Planet Earth As Art When Seen From Space My presentation begins with a brief overview of image processing and the techniques I use to process satellite images. Then I dive in to a diverse selection of images I’ve processed – most of which are from the Landsat 8 program.

One point: the most challenging and aggravating part of putting together this presentation was not working with the images but trying to identify the names of the geographical features in the image. In terms of naming geographical features, particularly extended features, I give Google Earth a solid F. To identify feature names I had to resort to quite a variety of online resources. On the bright side, the quest to locate geographic feature names was quite the learning experience and led me to a number of resources that I had no idea existed.

While I greatly enjoy the opportunity (and honor) of doing solo presentations at the conventions I attend, I usually find that being a participant on a panel is more interesting because of the dialogs that occur between panelists. At this year’s Capricon I’ll be participating in three utterly unrelated panel discussions.

On Friday I’ll be serving as the moderator for the panel Science Fiction Art – Classic vs New Mediums. Joining me on the panel are Meg Frank, Brian Babendererde, and Carol Metzger. Our objective is to answer the question of what makes art classic versus contemporary? We’ll also explore how the artist’s medium affects the "feel" of the artwork and how the advent of digital art has changed the way we view art.

On Saturday, I will once again be on a panel about scientific literacy. Titled Science Literacy for ALL 2.0 moderator Alicia Choi has the challenging task of moderating Pat Sayre McCoy, Richard Garfinkle, Carol F Metzger, and myself while we debate/explore the meaning of science literacy and it’s importance in today’s society. This panel is a continuation of the panel we did at the 2016 Capricon. And for my money, that was the best panel I participated in that year. This year though I think I’m going to argue against an emphasis on scientific literacy and for an emphasis on the development and promotion of critical thinking skills and critical reasoning.

Also on Saturday, I’ll be putting on my military thinking helmet and exploring the subject Mighty Space Fleets of War – in which Chris Gerrib will lead his staff of armchair generals J.A. Sutherland, Joseph Stockman, and myself on an exploration of the design of future space battleships and their armaments. Of particular interest to me is the question "why would they fight" as this plays into economics and my own presentation The Globalization of the Solar System, a talk I gave at a number of venues in 2016 as a representative of the Chicago Society for Space Studies.

Outside of the programs I am participating in, some of the other programs at Capricon that I would like to attend include:

  • Is Art School Worth it? – whose title says it all.
  • Do We Live in a Petri Dish? – addressing the age old question of are we just the specimens in some grand experiment.
  • Separating Art from the Artist – explores how an artist’s personality affects how you view their art.
  • The Future of Publishing – discussing the future of Self-publishing, e-books, Kickstarter, etc.
  • The Future’s So Bright…Or Is It? – a discussion of dystopias – a fascinating subject for me and a subject area for which I been a SF panelist at past cons.
  • Art in the BEFORE TIMES – a discussion of how art was made in the pre-digital age.
  • Improve Your Photography Using Histograms – where Jay Kreibich will share his perspectives on the use of histograms in image processing.

The Illustration

To illustrate this post I’ve used an image of the Bissagos Islands, an archipelago off the coast of the west African nation of Guinea-Bissau. This is one of the images I use in my presentation. Some of the remote sensing images I’ve processed are available as merchandise on Redbubble in my Planet Earth Satellite Imagery gallery.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It


Capricon Science Fiction Convention Review

Saturday, February 20th, 2016

Capricon Science Fiction Convention
Capricon Science Fiction Convention

I spent last weekend attending the Capricon Science Fiction Convention at the Westin Chicago North Shore in Wheeling IL. While I normally participate in the convention’s art show, this year I decided to opt out. I did of course participate in the con’s programming, doing one presentation and participating in three panels.

A few months back I suggested a presentation idea to Capricon’s programming staff. Titled The Globalization of the Solar System, I described it as a lecture about the possible economics of a human civilization that spans the solar system. Specifically I wanted to address the question of whether or not the globalization we’ve seen here on Earth will be possible with a human presence that is spread across the solar system. I had originally developed the idea as a submission for the International Space Development Conference but had a change of heart once I decided to attend the Eyeo Festival instead. So as a long shot I proposed it to the folks at Capricon. I was delighted when they accepted – surprised as well since globalization and economics are not your typical topics at a science fiction convention.

I was really pleased with the size of the audience my talk attracted (far more than attended all three of the panels I participated in). Between my prepared talking points and addressing the numerous questions I received while my talk was underway, I wound up speaking for a total of 88 minutes – well over the 75 minutes I was allotted but finishing with a few minutes to spare before the start of the next program.

I am next scheduled to give my Globalization of the Solar System talk in July at the Elgin Public Library and may or may not give it at the June meeting of the Chicago Society for Space Studies.

The panel I most enjoyed and was most disappointed with was the Science Literacy for ALL panel. Granted it was a Sunday panel held at noon but I still expected that we would have attracted a substantial audience. It was the lack of a much larger audience that was my source of disappointment. Subject wise, I found this panel to be truly enjoyable because of the way in which we panelists bounced so nicely off one another and the wide ranging topics we addressed. Joining me on this panel were Henry Spencer, a fellow space enthusiast who actually works in aerospace and with whom I’ve been on numerous panels in the past. Also on the panel was Dexter Fabi. Turns out Dex, whom I’ve also been on panels with in the past, was on all three panels I was on this year. Our other panelists were the moderator Alicia Choi, Patrick O’Connor, and Kelly Strait.

Another panel was The Importance of Visual Design in Movies and TV which took some interesting twists and turns as we explored how the look of a movie or TV show affected viewers perceptions of the story. We also discussed how science fiction design has impacted our perceptions of the look of the future. My copanelists were Dexter Fabi, Jan Gephardt, Karen Ann Hollingsworth, Daniel Levin, and Lucy Synk.

Lastly there was the panel Alien Landscapes on Earth. The focus of the panel was not just on discussing alien landscapes here on Earth, but also about how such landscapes influenced the art we made (all the panelists were artists). My co-panelists were Dexter Fabi, Sandra Levy (moderator), Samantha Haney Press, Lucy Synk, and Capricon Artist Guest of Honor Eric Wilkerson.

While as a con-goer I toured the art show, prowled the dealer’s room, attended other panels, and chatted with friends in the Green Room, the two high points of the convention for me were my talk and the science literacy panel.

Illustration: Capricon Particle String.

To illustrate this post I used a custom typography. Specifically I used a particle system that assembled itself using an image mask to define the area of the individual letters in the text string, in this case "Capricon". A random starting location was selected as well as a target location inside one of the letter areas. As the system ran, particles would do a random walk within a vector field from their initial location to their final destination. The screen shot was taken once all particles had more or less arrived at their final destination.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It


Dust Storm on Planet Dune Science Fiction Art

Saturday, January 2nd, 2016

Dust Storm on Planet Dune
Cropped version of Dust Storm on Planet Dune

To ring in the new year, my first work of art for 2016 wound up being a work of astronomical art with a science fiction setting. Titled Dust Storm on Planet Dune, it depicts the science fiction planet Arrakis, from the Hugo and Nebula award winning novel Dune by Frank Herbert. The scene is that of Dune experiencing a global dust storm, not unlike the global dust storms that Mars regularly experiences.

In this case I did not set out to create Arrakis but rather simply a desert planet. As I worked on the piece my thoughts drifted to Herbert’s Dune novel which I first read many years ago. It was at this point that I decided to create the planet with a specific objective in mind.

Initially planet Dune was set against a nice solid darkish blue backdrop – thinking that might make for an interesting alternative to the standard starfield background. But the more I looked at it the more I felt the need to add those stars to the scene. So after completing work on the planet, I went back and added in a starfield for the background.

My next consideration was whether or not to convert the planet into a crescent planet – with some fraction in light and some fraction in darkness. You may be surprised to learn that when I create a planet, I always create the entire hemisphere. I then use a masking technique to play with the positioning of the terminator (the line that divides the day side from the night side). Having a completed planet gives me the freedom to fully experiment with the terminator’s placement, altering the amount and orientation of the day/night sides. In this case I decided to go with the hemisphere facing the viewer as being fully lit so as to fully communicate the global nature of the desert surface.

At this time, prints of Dust Storm on Planet Dune are only available on Redbubble and Crated. Follow the links below to see the product offerings that are available on each site.

"Deep in the human unconscious is a pervasive need for a logical universe that makes sense. But the real universe is always one step beyond logic."
Frank Herbert, author of Dune.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It


From Mensa Halloweem to Windycon Science Fiction Convention

Friday, November 13th, 2015

Ant Colony Landscape
Ant Colony Landscape

This last Halloween weekend I had the opportunity to give two presentations at a Chicago regional Mensa convention dubbed Halloweem, held at the Westin in Wheeling IL. The two presentations I gave were

It was a very enjoyable experience for me, made all the better by the inquisitiveness of the audience. The only downside was that I over indulged in the convention’s great food offerings. Also speaking at the convention was Kent Nebergall. Kent and I are both members of the Chicago Society for Space Studies Speakers Bureau. Curiously neither of us were giving space exploration presentations at the convention.

Shortly I’ll be leaving for the Windycon Science Fiction Convention being held at Westin Lombard Yorktown Center in Lombard IL. While I won’t be giving any presentations this year, I will be participating in some panels. The panels are:

  • Space Seconds which is a panel covering space missions that were not the first of their kind, but the second.
  • Pluto Update is a panel addressing the findings of the New Horizons mission to Pluto.
  • Autographing was to be an autographing session that I am forced to cancel as my book on algorithmic art is not yet available.
  • Why Social Media Sucks takes a look at the world of social media, both from a operational perspective as well as a communicational perspective.
  • Art Media is a panel that I’ll be moderating on how artists decide on their artistic media and the strengths and weaknesses of each media.

As noted above, I originally agreed to do an autograph session at a time when I thought that I would have print copies of my book The Beauty of Algorithmic Art available. However, in searching for a publishing platform I wound up discarding my original two finalists (Blurb and Lulu). I have investigated several additional vendors and am currently focusing on Bookbaby and IngramSpark.

In addition to participating in the panels identified above, I will also have several artworks in the convention’s art show.

This Post’s Illustration

While working on a program to implement an ant colony simulation, I discovered that I had a program that did a nice job of simulating natural media painting. The landscape image Ant Colony Landscape is the result of an initial test of a program where the ants sample an underlying photograph and paint their trail. I must point out that this output was generated during an early stage of the program’s development. Coding was done using the Processing framework. The motto of the story is that sometimes algorithms can take you to surprising destinations. For more information about ant colony optimization, see the Wikipedia entry on ant colony optimization algorithms.

Bookmark it:  Stumble It  Bookmark this on Delicious  Digg This  Technorati  Reddit Tweet It